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PREVENTS
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By Lester Gottlieb
Photoplay again goes on record with rhythmic recordings from yonr favorite films
SPELLBOUND
No small part of the success of this masterful Ingrid BergmanGregory Peck psychological thriller is the haunting musical score by Miklos Rozsa. Recreated on record by Al Goodman (Victor) it emphatically emphasizes the importance of movie music and the mood it helps sustain. This twelve-inch platter is further enhanced by a splendid arrangement of Rachmaninoff’s Concerto No. 2 for Piano and Orchestra on the reverse side.
FALLEN ANGEL
Linda Darnell’s devotion to the coffeepot juke box in this Twentieth Century-Fox hit is understandable because the song and the singer are perfectly united. It’s the dreamy ballad, "Slowly,” carefully crooned by Dick Haymes. (Decca)
ABILENE TOWN
A western with a song more geographically associated with Broadway. "Snap Your Fingers” is the title and Bobby Sherwood’s sizzling trumpet and orchestra (Capitol) give it the appropriate lilts.
BREAKFAST IN HOLLYWOOD
This movie based on the zany radio stunts has a potential hit tune in "If I Had a Wishing Ring” and it is blessed with a Tommy Dorsey recording featuring T.D.’s incomparable trombone (Victor). The companion piece is a lovely London import, "We’ll Gather Lilacs,” written by a former silent screen star, Ivor Novello.
DOLL FACE
Here’s a merry musical with an overabundance of Hit Parade cinema candidates. Kate Smith (Columbia) selects two of them, "Somebody’s Walkin’ in My Dreams” and "Here Comes Heaven Again.”
GIVE ME THE SIMPLE LIFE
Another movie musical enhanced with a delightful score. Dick Haymes platter previews "I Wish I Could Tell You” (Decca). Benny Goodman pairs it with the title tune, to make for one of the better records of the month (Columbia.)
DO YOU LOVE ME
Johnny Desmond, newest baritone entry in the swoon sweepstakes, who first gained recognition singing overseas for homesick fellow GIs, is now repeating his success for civilians. Hear him do things with the theme melody from this new Twentieth Century-Fox film. A corny ballad from the same production, "I Didn’t Mean a Word I Said,” is disked by Sammy Kaye, the juke box Edgar Guest. Instead of singing the lyrics, Kaye recites them and doesn’t even bother to put his tongbe in his cheek. (Victor)