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SANITARY BELTS . ,
Tony Martin and deadpan songstress Virginia O’Brien shine in spectacular Show Boat sequence. Sinatra’s in it, too
Robert Walker, right, scores as Jerome Kern in this lavish MGM drama-musical, with Van Heflin as cohort and arranger
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This month it is MGM’s turn to bring forth a big Technicolor film Ijiograjjhy of a famous American tunesmith. . . . Their choice for eulogy is Jerome Kern . . . out of whose sedate lif^ they have fashioned a flamboyant and highly dramatic story that measures up to the typical Hollywood treatment of lives and times of our modern composers. . . . Like its jjredecessors . . . Till the Clouds Roll By gets its vitality from Kern’s music rather than from the facts of his existence. . . . Frank Sinatra, Judy Garland, Van Johnson, June Allyson, Lucille Bremer, Kathryn Grayson, Tony Martin, Johnny Johnston, Angela Lansbury, Dinah Shore, Lena Horne and Virginia O’Brien . . .all get at least one of Kern’s'beautiful songs to sing. . . .Asa matter of fact, about the only people who don’t sing in the film are Robert Walker . . . who plays Jerome Kern . . . Van Heflin . . . who portrays James Hessler, Kern’s best friend and arranger . . . and Cyd Charisse . . .who does a sprightly ballet number to .Smoke Gets in Your Eyes. ... As a story. Till the Clouds Roll By is concerned with the struggles of a young composer to be recognized by Broadway ... a not unfamiliar notion in musicals . . . without which Hollywood would be hard jjut to find sufficient dramatic conflicts to hold your interest. . . . This is briefly spiced with the personality conflicts between Afarilyn Miller (Judy Garland) and Hessler’s daughter (Lucille Bremer). . . . Directed by Richard AVhorf . . . Till the Clouds Roll By was filmed in two distinct sections . . . the narrative as one unit and the big stage numbers as another. . . . Set designers for the musical scenes have outdone the grandiosity established at MGM in Ziegfeld Follies . . . the finale number being the most spectacular filmed at the studio. ... In it, eight major stars are on the stage at once, competing with a 150-voice choir and a 100-piece symphony orchestra. . . . The film ends with a sweeping medley of Kern’s recent songs . . . topped by Sinatra singing Kern’s biggest hit, OF Man River. . . . It is a fitting climax to a very pleasurable evening of music.
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