Photoplay (Jan-Jun 1948)

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INSIDE p I (Jewelite All the lovely things you are to him are expressed in the shining glory of your hair. Keep it soft and lustrous by frequent use of a Jewelite Brush. Supreme creation of the brushmaker’s art, Jewelite Brushes by Pro-phydac-tic have bristles of long, resilient Prolon that reach right down to your scalp to provide healthful stimulation, while burnishing each strand of hair to alluring, natural loveliness. Brushes, Combs and complete Dresser Sets in Jewelite are available at good brush departments. Look for the name Jewelite on the box. Jewelite, aristocrat of plastics, is made by the makers of the famous Pro-phy-lac-tic Tooth Brush. Pro-phy-lac-tic Brush Company, Florence , Mass. Jewelite Roll-Wave Brush, Comb and fk Mirror Set, available in delicate shades V of ruby or sapphire, or in diamondclear crystal. Pro-phy-lac-tic Combs for mei and women are beautifull styled in Jewelite and othe lovely plastics. Remember tb name . . . Pro-phy-lac-tic! JEWELITE BY PRO-PHY-LAC-TIC (Continued from page 16) Meet Van's Leading Lady: What’s it like to be Van Johnson’s leading lady? Well, we’ll answer that question by stating that according to Janet Leigh, who plays opposite Van in “The Romance of Rosy Ridge,” it’s just plain wonderful. And to prove life can be a fairy tale come true, we’ll further state Janet never yearned to be an actress and never acted before in her life. One day she was just Jeanette Morrison (or Mrs. Stan Reams in private life) and the next she was being introduced to Van Johnson in the office of the MetroGoldwyn-Mayer dramatic coach Lillian Burns. “I hear I’m to be your leading man,” Van grinned and with that all her fears dropped away. What’s more, it was Van himself who insisted Jeanette take the screen name of Janet Leigh. The magic carpet that transported Janet into Hollywood from her home town of Stockton, California, was piloted by Norma Shearer who saw a picture of Janet in the album of the Sugar Bowl Ski Lodge in California. Forwarding the picture to an agent of Music Corporation of America, they sent for Janet to make the test that landed her the part opposite Van. When informed she’d have to leave at once for location she timidly asked the costs and rates, never dreaming the studio shouldered such responsibilities. The studio is still chuckling over that one. Cal lunched with the five-foot-six honey in the studio commissary and found her natural, naive, honest and so unmovie-wise she isn’t even afraid of the camera or the responsibility that is hers. Truth is, she isn’t even aware she has a responsibility. Her mouth breaks up into a quartette of dimples when she smiles, her voice is artless, her long hair naturally blonde, her eyes brown. She left College of Pacific in Stockton in her senior year to marry the the six-feet-four Stanley Reams, a musician. They’ve bought four books on the theater, she confided, so they’ll know what Van and his friends are talking about. Janet says she never saw a play in her life. Van aided her in every way before the camera and was the soul of kindness itself. She and Stan, who dine with Van every so often, think Van is tops. Every evening at 6:30 she crowds into the Santa Monica street car that takes her to the one room they call home until a house is located. And the passengers stare at the unknown in make-up, little dreaming the very pretty and simple girl is Van Johnson’s leading lady. “I guess they’d be surprised if they knew,” she said. And then added thoughtfully, “Sometimes I’m surprised myself.”