Photoplay (Jan-Jun 1948)

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-Keenan Wynn r. rianaie h «wT' O the outside observer Hollywood has pro: •] duced no stranger romantic dilemma than | the triangle of Van Johnson, Evie and Keenan Wynn. Van, the best friend, introduced into the household by Keenan, the husband, encouraged by the latter to entertain his wife, Evie, resulting in what is usually thought the inevitable end — a break-up of the marriage. Sympathy automatically goes to the husband. What does he think? What does he say? In this instance what the husband says is the last thing you’d expect. His is not the statement of just the good sportsman; his are the words of a man who looks at himself squarely and gives a frank appraisal of what he sees. “Evie and I met in March of ’37 when I opened in a play called ‘Hitch Your Wagon,’ produced by Garson Kanin. Tom Lewis brought Evie back stage for she had been doing a lot of radio work for Tom. She looked sensational, so I said, ‘This is for me.’ “Later on after most of the people had left Evie turned to me and said, ‘You’re a good actor but you’re taking too much for granted and fooling around too much with your career.’ “ ‘Who the devil are you,’ I asked, ‘to tell me about acting? I’ve been on ( Cont’d. on page 113) Keenan Tells His Story TO FLORENCE PRITCHETT •12921 husbands have ever made as remarkable a statement as this about a marriage separation They met in New York ; came to be friends in Hollywood