Photoplay (Jan-Jun 1948)

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On Tuesday the verdict came back, positive. Betty learned her tender secret in the midst of grips moving scenery, set bells ringing, assistant directors thundering “quiet” and a group of extras in grease paint debating on what horse would come in first in the seventh at Santa Anita. She was working at Paramount on the set of “The Perils of Pauline.” It was a very hot morning and the mother-to-be was in the middle of a musical number all made up like a 300-pound Negro mammy and wearing sixteen petticoats. Ted tried to reach her in her dressing room but learned that she was before the camera and just left the message with the maid with instructions to pass it along to her when she finished the scene. When she got the news Betty bounced to the phone to check with Ted. As long as it takes to hang up a receiver everybody within the radius of five sound stages knew Betty was expecting. She pirouetted around— petticoats flying. Doctors recommend exercise for prospective mothers, but Betty Hutton ad libbed a few that are not on the customary maternal menu. And if there’s anything to pre-natal influences, little Lindsay Diane is slated to be a circus trapeze artist, a Hollywood stunt girl, or a somersaulting drum majorette. For motherhood was one peril the writers of “Perils of Pauline” hadn’t counted on. Some of the studio folks thought Betty wouldn’t go on with her role as the dauntless serial queen but, trouper that she is, she went through her share of the twentytwo hazards, though, naturally, a double did the most dangerous stuff. During the first four months of confinement she ascended fifty feet in a balloon, was tied to a stake with prop trees burning around her, climbed the struts of an airplane, walked through a lion’s cage and scaled up a high ladder. THE night he told her she was having a baby, Ted brought home two pairs of booties trimmed with white fur. He hung the pink pair on her side of the bed and the blue ones on his. She’ll tell you readily that Ted is the most understanding husband in the world, and that he sweated out all the sacrifices of motherhood with her. When the doctor put her on a diet, Ted went on it too and lost eighteen pounds. “I was getting too heavy anyway,” he says philosophically. “The only really tough thing about it was giving up our cook’s biscuits.” He gave up cocktails and cigarettes and took long walks with her. About the only thing he drew the line at was knitting. And he had his share of that wearing the white pull-over sweater Betty made him while she was learning to knit. So many things were given her that about all she bought were two custommade baby dresses of white organdy trimmed in dainty pink rosebuds. “What would you have done with them if the baby had been a boy?” wondered Lindsay Durand, Paramount publicist and Betty’s best friend, and for whom Lindsay Diane was named. “You know I must have had a sneaking idea all along it would be a girl,” she laughed. Buttercup has the most fabulous nursery in Filmland. It’s the result of five months’ work on the part of Hugo Melchione, the Walt Disney artist who did the spectacular mother goose murals on the walls, and of carpenters and electricians. Her proud parents really shot the budget on it. Her P tfere's a tip! BLUE-JAY with Nupercaine* RELIEVES 3 WAYS: Soft Dura-felt pad stops shoe pressure instantly! Blue-Jay’s exclusive anesthetic Nupercaine curbs surface pain! Gentle medication loosens hard core— you just liftitout in a few days! 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