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Lana Goes to Mexico: Two days before New Year’s the director on “Green Dolphin Street” informed Lana Turner she needn’t report back to work until Wednesday, the day following New Year’s Day. Instantly, that quick thinking mind computed the miles and the flying hours between her and Tyrone Power in Morelia, Mexico, on location and that afternoon she was on a plane, Mexico City bound.
At the airport, instead of Tyrone awaiting her, there was a message for Mrs. Crane, her married name, to telephone a certain number. The voice at the other end of the phone explained that Lana’s wire to Tyrone had been delayed to the point where he could not make it into Mexico City. Alone then, at three in the morning, Lana stood and looked around. Where to go, what to do, she wondered, when a voice at her elbow inquired, “Mrs. Crane?” It was the Mexican friend of a close friend of Lana’s in Hollywood, who had foreseen just such a contingency.
With the Mexican gentleman to look after her and take her to the hotel, Lana relaxed and on the drive back to town listened excitedly to the music of the native players who patrol the little side streets. Next day, Tyrone’s pilot flew over to Mexico City and that afternoon, with an excited Tyrone on the field, Lana landed in the little Mexican town of Morelia.
“It’s New Year’s Eve,” Lana said excitedly, “so let’s dress.” So across the town square where the band was playing for dear life, handsome Tyrone in black tie, and Lana radiantly lovely in her white satin, pearl-trimmed gown, began their march to what is incongruously called, “The Mocambo.” One by one the musicians in the band, catching sight of this unbelievable spectacle, left off in the midst of notes to hang breathless over the platform while Cesar Romero and Lee Cobb followed behind, convulsed. In fact, Lana’s perfect description of the weirdly trailing notes that drifted off into nothing while the dumbstruck musicians sat stupefied rolled Cal right on the floor. Morelia had never seen, and probably never will see, the equal.
After dinner Tyrone and Lana climbed the steps of the hotel to the rooftop and there amidst the melodious ringing of the cathedral bells in a simple little Mexican town, two wonderful people said, “Happy New Year.”
It was the unexpected rain that delayed Lana’s return the following day — an event columnists made much over — but on Thursday she was back on the set again to find Director Victor Saville and all the cast wearing huge sombreros and serapes, as a humorous and kidding gesture of welcome.
Like the sincere and deeply conscientious person she is, where her work is concerned, Lana apologized for the delay and was graciously forgiven.
Now with “Green Dolphin Street” behind her, Lana is spending her vacation in Mexico City to be near Tyrone and this time the studio knows and approves her jaunt.
( Continued on page 139)
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