Photoplay (Jan-Jun 1949)

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Take a leaf out of Ida Lupino’s decorating book and restore those old things to a new place in your home BY RUTH WATERBURY ON THE day that Ida Lupino became engaged to Collier Young, story editor for Columbia Studios, she started house-hunting. She knew exactly what she wanted and she wasn’t one bit afraid to tell anyone. She didn’t want a “smart” house. She didn’t want a “moderne” house. As Mrs. Collier Young, she desired a frankly sentimental house, pretty as a Valentine and as old-fashioned in mood as she intended her marriage to be. In fact, Ida sought a romantic honeymoon cottage, with all the newest conveniences and contemporary comforts keyed to the style of her wide gold wedding ring. Fantastically enough, she actually found such a house — a brand-new house, built like an old New England barn, a story and a half in height, painted red, with a big window where the hayloft would have been, with a little white picket fence dramatizing the entrance and with an open fireplace in the living room. Yet it had all the modern comforts — luxurious bathrooms, a tiled kitchen and a well-behaving furnace neatly concealed behind its early American ( Continued on page 93) An old Pennsylvania Dutch dresser becomes a bookcase in Collier’s bedroom Ida’s living room stresses comfort from any angle. In this cosy corner old prayer chairs become modern conversation pieces