Photoplay (Jan-Jun 1949)

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Orson, of course, has a casual disregard for most movie producers, including Harry Cohn of Columbia. Need I add that the producers do not find this attitude endearing. However, because of Rita, Harry Cohn gave Orson whatever he wanted. But the picture was not a success, a fact which I feel influenced the differences that led to their divorce. IT WAS at a dinner I gave at the opening of the Cannes Casino that Rita and Prince Aly met. I should have placed a French woman to the right of the Prince but I chose to seat Rita there, instead. Immediately, there was a spark between them. This, in spite of the fact that Rita was not well-dressed when she was on the Riviera this summer. Not once did she have the new look. Neither was there anything festive or gay about her appearance. Generally, she wore black or dark green. But she was beautiful, if not chic. And her manners were as perfect as always. After dinner, when I did not see Rita or Prince Aly, I thought nothing of it. I expected him to disappear into the gambling rooms. And he was, I knew, leaving at midnight, to fly by private airplane to Ireland for the Irish sweepstakes. He won them with his horse, Attu, the same horse he brought over here in October to race at Belmont. The next day, however, Rita called me. “What happened?” I asked. Rita laughed. “He put on the usual act. I was taken up to the top of the Californee (the observatory which sits on top of Cannes highest mountain) to see the stars.” “Well,” I said, “Prince Aly had the best star . . .” “He said so, of course,” she answered, with gentle amusement. Previous to this dinner, Rita had seen Orson. He had come to Cannes and they had spent some time together. Rita, I think, came to Cannes because it is Orson’s stamping ground. Perhaps she hoped they might patch up their differences. Their daughter, Rebecca, always will be a bond between them. Rita’s love for her is great. 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