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"TAKE ONE FALSE STEP"
A Universal-International Picture
Star in Your Home
(Continued from page 63) has not been destroyed and that the future is neither loveless nor uncertain.
The manner in which Brian is doing this is both smart and simple. However, while he has spared no expense to give his daughter a sense of “belonging,” any mother or father can accomplish the same thing with much less money and the same imagination. An old piece of family furniture placed in a child’s room, supplemented with stories of those who had used it through the years, would serve well.
BUT to get back to Brian. In his lovely Malibu house, he has combined the past, by way of the most treasured antiques, with the future.
And Judy’s “future” is a suite of rooms which will be hers when she gets to be sixteen. It lies down the length of the upstairs hall from her “present” suite. The small apartment in which she lives now is plainly perfect for a nurseryrhyme princess. Around the top of her present “sitting room” runs a frieze of dolls. The high chair, which was once hers, is now occupied by a teddy bear. The desk and all the tables are scaled down to junior height and are broad and “kid” proof for all play activities. To completely delight her soul, there is a knocker on the door which leads to her bedroom and never once has her daddy come through that door without first knocking for her permission. Her bedroom is full of a froth of organdy ruffles, at the windows, and on her bed. There’s an open fireplace for those chilly by-the-sea days with a low table before it, where she often shares her meals with her devoted nurse.
But her future room is a dream beckoning. Every single item in it, from the priceless Delft tiles around the fireplace to the tiniest figurines in the wall cabinets, is a collector’s item. The great four-poster bed, magnificently carved, is the sort any museum would covet. The marble-topped bedside tables of richest mahogany, the Chippendale mahogany occasional chairs, the perfect Victorian settle against the windows that face the Pacific, as well as the smaller settle at the foot of the bed, are all expressions of love.
Aside from developing Judy’s taste for fine furniture, fabrics and colors at a very early age, Brian points out to her that these things, brought down to the present from the past, were loved and cherished or else they would not have survived. The scatter rugs on the highly polished floor are the finest examples of braided New England rag rugs. The prism crystal lamps tm the bedside tables were probably the proudest possessions of the lady who originally owned them, some hundred and fifty years ago. There is even a story attached to the candlewick bedspreads on the four-posters.
Brian saw one of them several years ago in a New England antique shop and quickly bought it. When Brian first started fixing up this room for Judy, he planned to use it as the bed covering and to have organdy, with organdy ruffles put on the canopy. Then, suddenly the idea of putting a duplicate candlewick up there, instead, came to him. He had a nearly impossible task, finding a double of what was originally a very rare item. It took him months, and he won’t admit how much money, but he finally did discover it.
You see, once more, don’t you, what
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