Photoplay (Jan-Jun 1950)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Gloria (with director Billy Wilder) loaned Paramount the dozens of old paintings and photographs of herself used in this film PHOTOPLAY SNEAK PREVIEWS Hollywood tells this one on itself, with Gloria Swanson as the forgotten star she never became IN “SUNSET BOULEVARD” the Brackett and Wilder team use Hollywood’s studios, pools and boulevards for its stage. Its stars, directors and producers are their characters. Gloria Swanson, who returns to the screen after a nine years’ absence, plays a great star of the silent screen who lives completely in her past. Hollywood is toasting Gloria’s comeback. Her company did, too, when the picture was shooting. She helped Edith Head design her leopard-skin sarong. And when Bill Holden rebelled at spending hours with a dance instructor, she taught him the tango in three minutes. She presented one problem. She admits to being fifty-one, but had to be “grayed” so she wouldn’t photograph thirty-five. 48