Photoplay (Jan-Jun 1953)

readers ine. To learn “the truth’’ about your pals — I I Let them tell it with costumes I I Study palmistry Who’d guess that timid Theresa secretly longs to be a Mata Hari? And Bill (The Shoulders) hankers to whip up the world’s best souffle? Give a "secret ambition” party! You’ll get a line on your gang — with their togs representing the life they’d really like! As for you, you’re safe from revealing lines (that certain kind)— with Kotex. Just trust those special, flat pressed ends. And you get double protection — entra. absorbency plus that safety center. While dancing, which policy’s best? n Cool chatter Q Wait for the tone signal Should you be a conversational ball of fire? Chances are, he’ll prefer good footwork to clicking the pearly gums. Try a few remarks re the music; if he’s for yacketty, let him set the tone. And if it’s "that” time — keep prancing in comfort. Kotex is made to stay soft while you wear it: this napkin holds its shape! Are you in the know? Can you offset bowlegged gams with I I Groce Q Exercise Q Blue jeans If Nature threw a curve when she built dem bones, exercise won’t straighten ’em. To offset that bowed look, acquire graceful posture; avoid shorts, snug-fitting jeans. Wear skirts with a graceful flare — at the right length for you. For every gal (come calendar days) there’s a "just right” absorbency of Kotex. Regular, Junior, Super. More women choose KOTEX than ail other sanitary napkins ^•t. M. REG. U. S. PAT. OFF. Know someone who needs to know? Remember how puzzled you were when "that” day arrived for the first time? Maybe you know some youngster now who’s in the same boat. Help her out! Send today for the new free booklet "You’re A Young Lady Now.” Written for girls aged 9 to 12, it tells her all she needs to know, beforehand. Button-bright! Write P.O.Box 3434, Dept. 343, 919 N. Michigan Ave;, Chicago 11,111. {Continued from preceding page) “The Toughest Man in Arizona” was a wonj derful picture. Throughout it I was watchingl the fellow who played Jerry . . . Who was he?J Patricia Jurek St. Cloud, Minnesota; k Lee MacGregor ; you can direct your letters^ and requests for photographs to him cfo Republic Studios. — Ed. I saw Arlene Dahl’s picture on the back of some cut-outs I had put away and forgotten about of Ingrid Bergman ... It looked as though she was in the Ziegfeld Follies or a chorus girl. Will you give me some information on this? ™ Elizabeth Thompson gi Jackson, Mississippi The clipping showing Arlene Dahl must hav^\ been from a movie she was in with V era-EllenfP^ Fred Astaire and Red Skelton. She played a-; stage actress in “Three Little Words.” She-\ was on the stage for awhile, before becoming a -■ model, but was not a chorus girl. — Ed. ■■ I . . . Who Was the cute young man who took ' the part of Rock Hudson’s son in “The Lawless Breed?” He looks very promising. Kathleen Giblin New Iberia, Louisiana , That was Race Gentry. You can write him ^ do Universal-International Studios. — Ed. People always mention Tony Curtis’ realty, name, but never Janet Leigh’s. Is her stage L name the same as her real name? If not, whatH is it please? Vickie Ress Steubenville, Ohio ' Her real name is Jeanette Morrison. — Ed. A friend says that Arthur Shields (who played the Reverend Playfair in “The Quiet Man”) and Barry Fitzgerald (who played Michael Flynn) are brothers. If they are, why^ don’t they have the same name? Also, what was^C the background music for “The Quiet Man”?*^ Mary Lou Baker Centerville, Massachusetts Your friend is right. They are brothers. Barry Fitzgerald, like many people of the theatre, j uses a stage name. But his real name is William | Shields. The background music for the picture ^ was made up partly of traditional Irish folk , melodies, partly of music specially written by Victor Young. It is available on both RCA and |j Decca records. — Ed. \ Do many stars wear glasses off-screen? Can a person be in movies if he does . . . ? I D. P. :! Oakridge, Oregon^ Working under Klieg lights is hard on the eyes, and many stars wear glasses. This is no handicap to their careers. — Ed. lie I I 80