Photoplay (Jan-Jun 1954)

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CONTINUED ^(HtOAnUeft) D(Wi9 C|^lA/ei[/ There can be no half-way for Doris. She throws everything she has into the career she' She’s no part-time mother. Whatever the demands of her job. She used to bring her own special warmth and friendliness Doris always has time and energy to spare for her son, Terry to the set. Now she is wan, sometimes tearful, withdrawn As her popularity zoomed, there were more demands on her time — personal appearances, radio (here with Danny Thomas), recordings Others might call in an interior decorator. But not Doris. T She loves her home, shops tirelessly for new furnishings!^ complicated than this. Doris, for probably the first time in her movie career, could not be reached for comment. And her studio released only the information that their singing star would rest a few weeks — on the advice of her physician — before beginning the film. But the rumors went on — nagging, insistent. One columnist reported that Doris was in a state of collapse and that it was doubtful that she would resume work before the end of the year. Another said that she was under the care of a psychiatrist. Finally Marty Melcher broke the tense silence. “Thei report that Doris Day is in a state of collapse is not! true,” he said. “It nevei* was true. The history of Doris'* proves it isn’t true. It was a simple illness from which ■ she has recovered. She’s up and will begin work in ^ about ten days.” And the psychiatrist? “There isn’t any!”| Marty stated emphatically. t And Doris Day did return to work — but not the Doris* Hollywood had known. Her sets, in the past, had beenl alive with her own special kind of radiance. They had bus-j|