The Photo-Play Journal (Jul 1919-Feb 1921)

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Tie Standard Pkonorrapt. Co. 202 South Peoria Street Dept. 1787 Chicago. Illinois BOSSING BEAUTIFUL WOMEN {Continued from page 11) of trying to excel them at their own game. Eliminate that gamble, and you'll get into some other line of business. " 'But why do men go into the picture business?" my traveling companion asked. " 'Because most of them were cut out for it,' I said, 'just as some men are born to be engineers or clothing salesmen. Brought up in the atmosphere of the picture business, it is natural that I am what I am today. It is true that men have been attracted to the industry because of what they consider its money-making possibilities. But such men do not, as a rule, stay in the business long. The men who do stay and succeed are men who were born with the showman instinct. If motion pictures had never been invented those same men would have been connected with some form of amusements. " 'The opinion that most people hold about making pictures — that it is easy work — is held about any business that provides entertainment. I have no doubt that it is as difficult to manage a circuit of theatres as it is to supervise a chain of clothing stores or direct the work of a chain of cigar factories. I am convinced that the management of a motion picture theatre is as difficult as running a hotel. Why? Because making and exhibiting pictures is producing and selling for and to the public. And the public is not easily pleased.' " Mr. Selznick's argument was persuasive. But I was not wholly convinced. "Still, in spite of all you say," I persisted, "it must be pleasant — this job of bossing beautiful women." "That is a mere detail," he smiled. PEGGY ROMPERS WRITES {Continued from page 53) However I have hopes for a real part in Mr. De Mille's next production. Mr. De Mille sure does know how to pick a cast. Jack Holt and Conrad Nagel are playing the leads, and Lila Lee and Lois Wilson are playing opposite them. Do you remember Peaches Jackson? She was with Tom Moore in "One of the Finest," and she played the baby, Claudia, in "The Prince Chap." Peaches is in the cast, too, but we don't see very much of her. When she's not actually making a scene, she's over on Thomas Meighan's set. He's her sweetheart— she told me so — but that's all right, Ma, for she's only five. Peaches' nurse in this play is Betty Francisco. She's a onetime Follies girl and practically new to the screen. But she's going to be a star some day ; she is very pretty, unusually clever — and unspoiled. I started to tell you about Tom Meighan. He's making "Easy Street." Gladys George is his leading woman, and Tom Forman, another of the popular leading men who are now behind the camera, is directing. Tom's a dear, and I'm going to tell you more about him in my next letter. Did I tell you I was living at the studio club in Hollywood ? It's right near the studio district — very near to Lasky's and Christie's. Ann May, who played the little French Girl in "Paris Green," lives there, too, and we have become great friends. She's just finished another picture, "Wanted A Blemish," with Bryant Washburn. Try to see her in that ; I'm sure you'll like it. And see her in "Peaceful Valley," too. "Peaceful Valley" ought to be great because Jerry Storm directed it, and Jerry never makes a bad picture. I met Jerry while I was in New York. He's a wonderful man, Ma, and he seems to know everything. We are going on location tomorrow. That means getting up early in the morning so I'll say good-night now. Write me soon, Ma, but don't tell me that I ha^e to go home. Your loving daughter, Peggy Rompers. No More Wrinkles BEAUTIFUL BUST Superfluous Hair Vanishes Like Magic. 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