Photoplay (Jul-Dec 1944)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

KLEENEX r M M luxuriously soft . . . dependably strong ! ybc/rnose /rnowsf here’s 0/7// one XZEf/VEX In your own interest, remember— there is only one Kleenex * and no other tissue can give you the exclusive Kleenex advantages! Because only Kleenex has the patented process which gives Kleenex its special softness . . . preserves the full strength you’ve come to depend on. And no other tissue gives you the one and only Serv-a-Tissue Box that saves as it serves up just one double tissue at a time. That’s why it’s to your interest not to confuse Kleenex Tissues with any other brand. No other tissue is “just like Kleenex”. In these days of shortages — we can’t promise you all the Kleenex you want, at all times. But we do promise you this: consistent with government regulations, we’ll keep your Kleenex the finest quality tissue that can be made ! There is only one KLEENEX* J ‘Trade Mark Res. U. S. Pat Off. Everything's Jaeckel (Continued from page 36) herein is “unimportant,” “purely incidental” and in a nice, polite, boyish way — nobody’s business. Dick, christened Richard Hanley, is the heir to the Jaeckel fur fortune — yet you can run through Hollywood with a rake and not find another person so unmoved by his riches. The mail boy job he held at Fox was quite in line with others he held all through school — grease -monkey in a garage, fountain boy, bundle wrapper, to mention just a few. During his years at Hollywood High he was a kid who held his own on the basketball floor or on the swimming team and after playtime was over he went out and held his own at real jobs of work, also. As for the fact that at home he was the young lord of what he surveyed, with a Chinese houseboy and other servants to wait on him if he wished it — well, his team mates soon forgot it, because if you want to stay friends with Dick you don’t talk about that. HIS major concern when he was asked to sign a picture contract was that he might lose his standing with his fellow employees in the mail room. Being under age, his mother’s consent was needed for the signing. It happened that at the time, the Jaeckels had closed their home because of the servant shortage and moved to the Beverly Hills Hotel. Dick, giving this swank address, thought “Mother could be cajled to the phone there.” Which is how it happened that the lovely, very smart and very social Millicent Jaeckel was first listed on the studio directory as “Maid, Beverly Hills Hotel.” Being a pal, she played along with the mistake for several weeks. After “Guadalcanal” was completed and its young sensation brought back from the soda fountain to the studio, there was a period of inactivity to be filled in before work began on “Wing And A Prayer.” Just enough time to hitchhike to Mexico, decided Dick to a friend. The trip could have been made in style because there was a beautiful new 1942 Ford, ordered by his mother just in time to beat the priorities, standing in his garage. Instead, the boys got chummy with a Mexican trucker and worked their way down, loading and driving for six pesos a day. On their return Dick asked his mother if he could sell the new Ford. It was too shiny and too ostentatious. He bought a well-worn ’36 — the kind of car a fellow could immediately feel friendly toward — and put the large difference in price in the bank. Of course the balance has since disappeared, bit by bit, for mufflers, spotlights, horns and other gadgets, but things like this indicate interest rather than too much principal. So far as his suddenly acquired glamour and fame as a screen actor — well, that’s something his best friends don’t discuss either. Before joining the grease-painters, actors as a group held little appeal for him. Now a few “regular fellows” like Lloyd Nolan, Preston Foster and Bill Eythe have won his respect. “I like them because they don’t pay too much attention to themselves,” he says. “They don’t have to be big-shots to be happy.” On the other hand, there is the certain young romantic lead he bumped into at Arrowhead who “mugged and posed and hammed all over the place” and so long as there are actors like that still around, he’s going to withhold his approval from the class as a whole. Perversely, it was the “hams” he has seen on stage, on screen and off, who helped him to success in his very first camera venture. “I thought of all the 86