Photoplay (Jul-Dec 1945)

HOLLYWOOD STARS YOU KNOW FROM HOLLYWOOD .. .WESTMORE’S SENSATIONAL NEW LIQUID-CREAM FOUNDATION MAKE-UP Wally W estmore. Director of Makeup at Paramount Studios, Hollywood, using House of Westmore cosmetics to make up Dorothy Lamour. NOT A CAKI . . • NOT A CREAM DOES NOT CAUSE DRY SKIN Tonight . . ■ today ... in just one minute . . . look your loveliest. Apply one drop ol Westmore’s new liquid-cream Overglo before you powder and rouge. See how it camouflages large pores and little lines. Never gives a mask-like appearance. Watch it add youthful radiance. Enjoy a smooth, well-groomed, flawless-looking face-do all day or night. Mon-drying, definitely! Overglo has an emollient lanolin and oil base. Protects against dust and weather, too. One bottle lasts months. Six flattering shades. $1.50, plus lax. NEW. . . ONE-SHADE . . . OVERGLO FACE POWDER A make-up discovery! Practically colorless — permits your foundation-tinted skin to glow through with youthful beauty. A face powder specially created for use with Overglo or any tinted cake, cream or liquid foundation. $1 plus tax. {Continued from page 96) He can’t endure the feeling of being restrained. He must be free to come and go. A wife who demanded a conventional life would become like an i iron chain to him. I couldn’t bear that.” | ‘‘Then you must begin to believe that there is happiness and brightness ahead for you with someone else,” I told her. “You are so young. You will meet and marry another man after this hectic, publicized chapter in your life is past.” She nodded her head. “I do believe that there is happiness for me somewhere. Of course, I cannot think now of any other man. I can’t believe I will love like this again. Only time can tell about that. But I have one wonderful thing — my little girl, Deirdre. When I take her in my arms everything seems all right. A woman doesn’t live until she has had a baby. Because of her — any unhappiness I may have had was worth it — and more.” It was time for Nora to get home to her baby. As she left she said, “When you write a story — please, for my sake, don’t make Errol a heavy — or blame him. There aren’t any heavies in our story. It just happened — the way it happened. Someday I know in my heart that he will admit our marriage. He practically did,” she smiled, “according to his fashion, when he told a reporter: ‘Yes, we’re married. But it’s nobody’s business.’ ” | I thought about that — and about Nora — a long time after she had gone. Then just a week later an interesting thing happ)ened. Nora telephoned me to ask if Doctor Martin and I would come to Errol’s house the following Sunday for luncheon. We went. Errol was his most charming self, ! a delightful host. Nora was in seventh j heaven as he introduced her to Hollywood ! as his wife. She showed me -a gold bracelet j he had just given her' and she was radiant ! and so gracious as she received the Gary Coopers, the David Selznicks, Sir Charles ' Mendl, Ida Lupino and other guests who had been invited to meet her. j It was a warm enough day for summer ^ clothes and the garden outside was filled with Errol’s friends. After luncheon the guests lingered on talking with the bride and groom. As I left I said to Nora, “What about the divorce?” “Today I feel that I never want a divorce,” she replied. “But I cannot say j that I have definitely decided not to give i Errol his freedom. I want to do what he wants and I think he is happier as a bachelor!” Yet pride was in every look and gesture of Flynn’s as he stood with her, proud!* y presenting her to his friends. For Nora is no ordinary girl. She has a rare sweetness and character. And this I know — she will do what seems best for “Flynn,” as she calls him. The End IVe knew it! You've just finished checking the BACHELOR SCORE CARD on page 48, and you couldn't locate the guy you go for. ^ut wait! You'll find him oil right — when the balance of the bachelors appear — in alphabetical order NEXT MONTH PRODUCTS OF THE HOUSE OF WESTMORE