Photoplay (Jul-Dec 1955)

WIN A 1 RULES:] First Prize: A $1,000.00 MINK STOLE. Plus 25 other prizes of deluxe radios. a. You don't have to make a purchase to qualify. b. The luxurious mink stole will be pre sented to the person who writes in 25 words or less the best conclusion to . . . "I purchase my bras at because" (name and address of favorite store) C. Write or print legibly on a 3" x 5" card (Postal Card) your entry in the contest. Be sure to include your name and address. d. Closing date is midnight December 5, 1955. Presentation to be made prior to Dec. 30, 1 955. e. Duplicate prizes will be awarded in case of tie between two or more contestants. f. This contest is not open to any person employed by or associated with the sponsor. Style illustrated No. 492 Finely detailed bra to retail at $1.00 send entries to: Dept. 17 P JUBILEE BRA 180 MADISON AVE., NEW YORK. N. Y. OlVISION OF UNITED MILLS CORPORATION “Like a shot in the arm,” says Doris about sexy role with Mr. Cagney IMPERTINENT INTERVIEW with this month’s cover girl DORIS DAY "How do you feel about being sexy for the first time in pictures?” I asked Doris Day, who plays the very grownup, very sexy role of Ruth Etting, the night-club singer, in “Love Me or Leave Me.” “This new turn in my career is like a shot in the arm,” Doris said. “It’s my first picture away from my home lot, Warners, where I spent seven wonderful years, but where I first started playing All-American Girl roles. I never had a big exciting dramatic love scene until I came over to M-G-M for this picture— and certainly none like the one involving Jimmy Cagney and myself in this movie! “I’ve discovered that I like to do things with some depth,” Doris added, “that use the emotions. I only hope the public likes what we’re trying to do. “It’s such a complete switch,” Doris continued. “When I first came to M-G-M, I was like the little bird whose mother pushes her out of the nest. I’ve always been shy with strangers. After I get to know people, I’m not shy. But I’m terribly afraid of the first meeting. I think most people are shy, don’t you? They’re afraid to enter a room because they’re afraid of what other people in the room are thinking of them. But then you find people aren’t thinking about you at all. They’re thinking about their own problems. “When I was with Les Brown’s orchestra at the beginning of my career, I had a real ball, because nobody kne\ who I was — and they just didn’t care But things change when you becom known. It took me a long time to fim this out. You see, I made pictures, on after another, for three years at Wai ners before I stepped out of Burban to make a personal-appearance tou with one of Bob Hope’s troupes. B then, people knew who I was. I couldn get used to the way they stared at nu I had been with Les so long, and nc body had stared. Now I kept thinking ‘Oh gosh, I wonder if my hair i combed right" or ‘What is the matte with me that they should stare so': And then I went into a shell. “I’m just now coming out of tli£ shell. I’ve pulled myself together an now I realize that it wouldn’t be no mal if people didn’t stare at a movi star and ask for her autograph.” I asked her how it felt to wear he first really sexy dress on a sound stag' “I thought how ridiculous I mu: look,” she replied. “I came sneakin out on the set — it was a night-club se But then gradually I came to reali; that the other girls on the set wei wearing low-cut sexy gowns, too, an then I started getting used to it an didn’t feel bad at all. As a matter < fact, I liked it! “One of my dresses is a lavendi gown that’s so tight I look like I’m si ting down when actually I’m standin Honestly! And I love every second of it BY MIKE CONNOLLY