Photoplay (Jul-Dec 1956)

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EXCELLENT V'V'V 'ERV COOD GOOD •/ FAIR LET’S GO TO THE MOVIES WITH JANET GRAVES BETTE DAVIS Watching daughter Debbie try on the wedding dress, Bette reaches wistfully for the romance she’s missed BEST ACTING Doris and Jimmy listen tensely for a beloved voice as they near their goal The Mitn Who Knetv Too Much paramount; VISTAVISION, TECHNICOLOR V'V'V'V Alfred Hitchcock and James Stewart. director-star team of “Rear Window,” take on a new’ partner in this fast-paced thriller. With only two songs to sing, Doris Day proves a winner in the melodrama department, too. Jimmy’s the man of the title, an American doctor vacationing in Morocco with wife Doris and their son (Christopher Olsen). He happens to witness the murder of a French secret agent and to hear his dying words. These offer a clue to a plot against the life of a foreign dignitary visiting London, and Chris is kidnapped to insure his father’s silence. So Doris and Jimmy head for England on a double mission: to rescue their son, to prevent an assassination. As the kidnappers, Bernard Miles and Brenda de Banzie add more suspense. family The Catered Affair V'V'V'V In a story of endearingly everyday people. Bette Davis surprises even het long-time admirers, and Debbie Reynolds tackles her first serious role with commendable sincerity. Glamour goes out the window as Bette adapts voice, figure and walk to the role of a Bronx housewife. Believing her own marriage loveless, she tries to make up for the lack by insisting on a lavish wedding for her daughter. The affair she envisions is ’way beyond the means of husband Ernest Borgnine, a cabbie who was just about to realize his dream of becoming a driver-owner. Debbie and Rod Taylor, appealingly earnest as her fiance, had cherished more modes! plans, but she’s quickly caught up in the excitement. And Barry Fitzgerald, as hei uncle, long-time boarder in the cramped flat, is a laughable meddler. familv ContinueA L 84