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7156 — Graceful cape has your favorite eight-gore flare — so flattering to every figure. Embroidery transfers, pattern, directions for cape to fit small or medium sizes.
7036 — Look neat, smart all summer in this lovely new maternity top. Novel neckline; pockets sparked with gay iron-on designs in combinations of blue, yellow, green. Maternity misses’ sizes 10-12; 14-16 also.
957 — Brighten kitchen towels with these gay motifs. Seven little cherubs to embroider— a cheery aid for each day of the week. Set of seven different embroidery transfers, each design about 6 x 6Y2 inches.
799 — Graceful flower design in filet crochet — a lovely decoration, protection for furniture. Use it as a chair-set; buffet cover, too. Filet crochet chairback 13 x 16 inches, armrest 6 x 12 inches, in No. 50 mercerized cotton. Chart, directions included.
507 — Lifelike roses in color sparkle on this stunning oval doily. Doily 32 x 15 inches in No. 30 mercerized cotton; smaller in No. 50 cotton.
Send twenty-five cents (in coin) for each pattern to: Photoplay, Needlecraft Service, P.O. Box 123, Old Chelsea Station, New York 11, New York. Add five cents for each pattern for first-class mailing. Send extra twenty-five cents for Needlecraft Catalog.
world for only two years, his smoot ^ styling and originality already hav given him a firm foothold, with a jitD ever-widening audience. Now with h ir first album, **Make Mine Maltby, tl 0 maestro demonstrates the seasone ^ charm and provocative appeal whic have previously distinguished othe ' Maltby releases such as “St. Lou * Blues Mambo” and “Book of Love.” ® former arranger and composer of hi i'" band instrumentals, Maltby’s sui « touch and imaginative approach ai ' ■ widely demonstrated in this albur *■ which combines some of his past hi with several new favorites, rangir 1* from “Stardust Mambo” to “Jumpir ^ Trumpets.”
If you haven’t got Frankie Laim latest album for Columbia, “Jazz Spe tacular,” you’d better get a copy befo they’re all gone. Featuring Buck Cla ton’s trumpet, this hit album finds tl happy Mr. Laine singing at his best
Frankie was born in Chicago, Mari 30, 1913. He began his singing care with a combo composed of Jess Stac: Vic Abba, Frank Teschmaker, ai LeRoy Buck. In 1937, Frankie replaoj Perry Como as vocalist with Fred Carlone’s band in Cleveland, then we on as a soloist on radio, first as a st singer at Station WINS, in New Yoi and later at NBC. Shortly after t war, he teamed up with pianist-sor writer Carl Fischer, with whom Franl) penned, “We’ll Be Together Again.” the same time, he built up his vocal : with Fischer’s aid. Frankie attracted 1 good deal of attention while singing ; Billy Berg’s nitery in Hollywood, a I soon after recorded his first hit, “Thaj My Desire.” By 1947, he was starrij in night clubs, theatres and on recor, He has also appeared in such pictu. as “Make Believe Ballroom,” “Wl You’re Smiling,” and “Sunny Side the Street.”
Two very sharp cats “dig ’ a I cinating chick in a lively new Columll jazz melodrama, “Cat Meets Chicj The cats are trumpet player Buck Cl j] • ton and vocalist Jimmy Rushing; i||| chick is vibrant singer Ada Moo;‘ and the theme is “girl meets boy” ^ jazz classics. Buck “speaks via ftiW pet, while Ada and Jimmy do H . vocals. Buck Clayton, star of marnsj jumping record, is a Count Basie bjJj alumnus who can also be heard A Columbia’s “Jazz Spectacular,” Yfll Frankie Laine. He also appeared A the film “The Benny Goodman Stoi“
fimpiy Rushing is also a Basie ah lus, and his vocals contributed grejfi o the band’s success. Ada Moore '• Deared last season in the Broadway it nusical, “House of Flowers,” as -vU
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