Photoplay (Jul-Dec 1956)

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They were both stopped in their tracks. When June saw her husband’s expression, she howled and Richard finally joined in. Ricky was quite pleased with himself — and was only mildly chagrined when his amused parents straightened up to exf plain why small boys do not tell big dads to stay out of things. During this family hour, however, both Pam and Ricky have an insidious method )f taking over the conversation, and the ^Dwells admit with due modesty that at times the youngsters make more sense han many of the adults who often gather iround the coffee table before dinner. The change in June about decisions is 'vonderful to behold. Time was when he was in a constant state of vacillation, mt no more. Just a few months ago the ’owell household needed a cook desperitely. June was visiting a friend whose jpok just happened to be leaving and ould fill in for a few weeks if the Powells Wanted her. June talked to the woman jr a few minutes, then up and hired her. t was a big step forward — no waiting for dvice from Richard, no seesawing of Should I or shouldn’t I?” The cook, by le way, is still a member of the Powell iienage, and everyone concerned is happy. '“When I go through the Powells’ lower 3te in ^the morning,” Barbara Salisbury lys, “it’s like driving into another world. lUddenly I’m in the peace and quiet of le country, surrounded by beautiful ees and the green green that no city lire can contrive. The house itself has |;en blended with the 'beauty of nature hich was 4)ut there to be used. Inside, |s warm, friendly and full of the feeling ■ family. There was a time when Richard Jid George Hall, the decorator, got tother to decide on any possible changes, me accepting the arrangement with pas|/e interest. Last month, however, it was me who conferred with George on the vans, curtains, drapes — and she very finitely wanted a brass headboard in e master bedroom. After long discusms she took four possible choices to chard, then they decided together on lors, textures and whatnot. June taking ^itistive is one more significant sign her desire to become an individual. TO REACH THE STARS In most cases your letters will reach a star if addressed in care of the studio at which he made his last picture. If you have no luck there, try writing to each star individually, c/o Screen Actors Guild, 7046 Hollywood Blvd., Hollywood 28, Calif. 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