Photoplay (Jul-Dec 1956)

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But, though she had no “steady,” Kim’s life has certainly not been devoid of men. In fact, you might almost say it’s a story of men, and you wouldn’t be far wrong. However, unlike the stories of many successful female stars who use men as stepping stones on their way to the top and then forget them, the men in Kim Novak’s life are still staunchly with her, and she with them, except that now their ranks have increased in number. Contrary to what is expected of a glamorous star playing opposite glamorous leading men, Kim rarely mixes socially with the heroes of her films. She has her own reasons for her reluctance to become emotionally and socially involved off the set. But when she is asked to state them, her expressive eyes grow large and even incredulous. “Take Frank Sinatra, for instance,” she says. “The only way I could work with him was to know him only as the character he was playing in the picture. That way I could feel sorry for him, and give him the sympathy the part required. But if I joined him at lunch with the rest of the cast, sat around with him like the others do between takes on the set, and really got to know him well, how could I then break my heart over a dope addict fighting to break the habit?” The same can be said of William Holden, Tyrone Power, Fred MacMurray, and her other leading men. While on location in Hutchinson, Kansas, during the filming of “Picnic,” the cast would meet almost every evening for a cocktail or two, followed by a congenial dinner in the hotel restaurant. Present would be Bill Holden, Rosalind Russell, director Joshua Logan, producer Fred Kohlmar, and possibly six or eight others. But Kim was up in her room on the top floor of the hotel, eating her dinner alone while she studied her script for the next day. The rest of the cast worried about her solitude, but they needn’t have. “I couldn’t join them,” explains Kim. “I just couldn’t. I knew them as characters in the picture, I didn’t dare get to know them socially.” M ac Krim is not only as close to a “steady” as Kim has permitted any man to become, but he is also her Rock of Gibraltar in times of stress. From the time she arrived in Hollywood he has stood by her through all her emotional storms. When things go wrong at the studio, she may briefly burst into tears for momentary relief, but most of her emotion remains pent up until she can release it on his shoulder in the evening. There has been a tendency to make out of Mac Krim an enigmatic figure that is not in keeping with the facts. Where he confuses everyone is in not conforming to what Hollywood has come to accept as the traditional escort for one of its stars. He is not a playboy. He does not belong to any Hollywood set. He dislikes personal publicity. And while he is handsome enough to be a leading man, he wants no part of the acting business. Mac explains it all very simply. “I came to Hollywood because I was managing five movie theatres in Detroit. Four of them are neighborhood houses, and one is a first-run theatre downtown, and I came out to see about getting better pictures. I stayed because I like California. Not Hollywood, necessarily, but California, where I can drive a couple of hours in one direction for mountain skiing, or a couple of hours in another for surfboarding.” As for Kim, he says, “I met her, liked and admired her before she was a Hollywood star. Now that she is a star, I still like and admire her. Stardom can’t change something like that.” Star Candids We've added some brand new stars and brand new pictures. Check the list below for your favorites. All handsome 4x5 photos, on glossy stock, just right for framing. Send your order today.' nataiie wood CANDIDS 1. Lana Turner 2. Betty Grable 3. Ava Gardner 5. Alan Ladd 6. Tyrone Power 7. Gregory Peck 9. Esther Williams !1. Elizabeth Taylor 14. 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