Photoplay (Jul-Dec 1960)

For fuller reviews see Photoplay for the months indicated. For full reviews this month, see page 6. (a — adult f — family) ALL THE FINE YOUNG CANNIBALS— M-G-M; CinemaScope, Metrocolor: The sincere efforts of Bob Wagner, Natalie Wood, George Hamilton, Susan Kohner hold your interest in a confused story of Southerners who take their sex problems to New York. (A) October ALL THE YOUNG MEN — Columbia: Earnest hut often familiar drama of youth at war. In Korea, Sidney Poitier leads a cut-off Marine platoon that includes vet Alan Ladd and greener James Darren, Glenn Corbett, Ingemar Johansson. (F) September BETWEEN TIME AND ETERNITY— U-I. Pathe Color: Old formula set in lovely Balearic Island backgrounds. Given only a short time to live, Lilli Palmer dallies with handsome native Carlos Thompson. ( A) November CROWDED SKY, THE— Warners, Technicolor: Efrem Zimbalist Jr. pilots a Navy jet fated to crash with Dana Andrews' transport, which carries the usual quota of emotional passengers. Overplotted but tense. (A) October DARK AT THE TOP OF THE STAIRS, THE — Warners, Technicolor: Robert Preston, Dorothy McGuire, teenager Shirley Knight portray warmly the problems of an average family in Oklahoma of the 1920’s. (A) November ELMER GANTRY — U.A.: Memorable characters fill a warm-blooded, courageous movie, with Burt Lancaster and Jean Simmons as revivalists. Are they phony or honest? Newspaperman Arthur Kennedy wonders. (A) October ENTERTAINER. THE — Continental: Fine actors (playing dreary people) can't make us see why cheap vaudevillian Laurence Olivier holds the loyalty of wife Brenda de Banzie, daughter Joan Plowright. (A) November HELL TO ETERNITY— A.A . : A surprise hit tells a true and touching story of World War II. As a white hoy raised by a Japanese-American family, Jeffrey Hunter faces a sad dilemma, finds a great mission. (A) October HOUSE OF USHER — A.I.; CinemaScope, Color: Genuinely frightening, fascinatingly imaginative version of Poe's classic, with Mark Damon as guest in a doomed mansion where his sweetheart (Myrna Fahey) and her brother (Vincent Price) await death. (A) September 1 AIM AT THE STARS — Columbia: Exciting science-fact story, politically tricky. Curt Jurgens, as rocket wizard Wernher von Braun, rouses doubts in wife Victoria Shaw and Nazihating newsman James Daly. (F) November I'M ALL RIGHT, JACK — Columbia: Those sly British turn labor-management relations into a laugh-loaded shambles. As a shop steward, Peter Sellers creates a deadpan masterpiece. Ian Carmichael's a bumbler whose honesty starts a riot. (A) July IT STARTED IN NAPLES— Paramount; VisLaVision, Technicolor: A tough, lovable kid named Marietto steals this sentimental frolic from Clark Gable, as his American uncle, and Sophia Loren, as the aunt who’s raised the orphan — improperly, Clark says. (A) September LET NO MAN WRITE MY EPITAPH— Columbia: James Darren scores in a sordid but sentimental slum drama, as Shelley Winters* son. Derelicts led by Burl Ives strive to save the hoy from crime. (A) November LET’S MAKE LOVE — 20th; CinemaScope, De Luxe Color: Big, blowzy musical with dazzling stars. Billionaire Yves Montand, hiding his identity, joins a little-theater troupe and falls for Marilyn Monroe. (A) November OCEAN’S ELEVEN — Warners; Panavision. Technicolor: Frank Sinatra and gang (Peter Lawford, Dean Martin, etc.) stroll through a lavish suspense comedy, plotting to rob all the top Las Vegas casinos. (A) November PSYCHO — Paramount, VistaVision: It’s gory, gruesome but all in fun, thanks to director Hitchcock, who sends Janet Leigh. John Gavin and Vera Miles to a very peculiar motel run by Tony Perkins. (A) September SAVAGE INNOCENTS, THE— Paramount; Teehnirama. Technicolor: Honest story of primitive people, in real Arctic locales. Eskimo couple Anthony Quinn and Yoko Tani tragically clash with “civilization.” (A) November SEVEN WAYS FROM SUNDOWN— U-I, Eastman Color: In an unassuming horse opera, new Texas Ranger Audie Murphy has trouble chasing outlaw Barry Sullivan — because Barry is too doggone lovable! (F) November SONG WITHOUT END— Columbia ; CinemaScope, Eastman Color: Dirk Bogarde’s romantic good looks suit the role of composer-pianist Franz Liszt, whose life is seen as a piano concert and costume pageant, with stormy personal drama on the side. (A) September SONS AND LOVERS — 20th, CinemaScope: Sensitive study of growing-up, done with taste and vigor. Dean Stockwell is fine as an English miner’s son; Wendy Hiller, Trevor Howard are even better as parents. ( A) October SURPRISE PACKAGE — Columbia: Yul Brynner and Mitzi Gaynor. as an American gangster and girlfriend exiled to a Greek island, breeze through a talkv, funny thriller. Noel Coward's a witty unemployed king. (A) November TIME MACHINE, THE— M-G-M: Pioneer science-fiction by H. G. Wells has a nice atmosphere of 1900. That is Rod Taylor’s take-off point for his time trip through this war-ravaged century to the far future — uglier yet, except for Yvette Mimieux. (F) September UNDER TEN FLAGS — Paramount: Brisk, factbased adventure casts Van Heflin as chivalrous captain of a War II German sea raider that takes on many disguises, baffling British admiral Charles Laughton. (F) November WEDDINGS AND BABIES— Engel: The title names the specialty of John Myhers, as a photographer in New York’s Little Italy, clinging to bachelorhood in spite of Viveca Lindfors’ efforts. Charmingly real. (A) November LUSTER-TONE Satin Finish GIV-N-KEEP WALLET Photos Made from any photo, snapshot or negative (returned unharmed). Size 2 V2 " * 3 Vi", on finest portrait paper. Moneyback guarantee! (For HiSpeed Service, odd 25(). 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