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JASON AND THE ARGONAUTS
Columbia; Eastman Color; Director, Don Chaffey; Producer, Charles H. Schneer (Family)
who’s in it? Todd Armstrong, Nancy Kovack, Gary Raymond. what’s it about? As the ancient gods of Greece look on, a young hero seeks a magic treasure to regain a kingdom. what’s the verdict? The old myths were often pretty rough, but this cleaned-up version just has the cheerful scariness of a fairytale. The special-effects department creates most of the excitement, ranging from a bronze giant to a squad of skeleton warriors. Squabbling among deities adds a hint of sophistication.
TAMMY AND THE DOCTOR
U-I; Eastman Color; Director, Harry Keller; Producer, Ross Hunter (Family)
who’s in it? Sandra Dee, Peter Fonda. Macdonald Carey. Beulah Bondi. what’s it about? When her aged benefactress falls ill. our backwoods gal upsets hospital routine as a nurse’s aide. what’s the verdict? Everybody who enjoyed Miss Fixit’s earlier adventures will be pleased to find this one staying right in line. Clowning with awesome energy. Sandra still looks mighty peart — now she has us talking that way! No going-steady stuff for Tammy; her latest is handsome intern Peter (a bit young).
ISLAND OF LOVE
Warners; Panavision, Technicolor; Producer-Director, Morton DaCosta (Adult)
who’s in it? Robert Preston, Tony Randall, Walter Matthau, Giorgia Moll. what’s it about? Chased by a vengeful gangster, a con-man flees to Greece and starts an antique-faking racket. what’s the verdict? Thank Tony for the best laughs in this light-weight farce. As a timid lush, he makes something out of very nearly nothing. As for Bob, he was a more appealing swindler with all those trombones to back him up. For us stay-at-homes, the real beauty of the fabled islands is an imaginary-travel treat.
BLACK GOLD
Warners; Director. Leslie H. Martinson; Producer, Jim Barnett (Family)
who’s in it? Philip Carey, James Best. Diane McBain, Fay Spain, Claude Akins. what’s it about? A wild-catter working for a ruthless oilman breaks with his boss to help a girl find fortune. what’s the verdict? Though it goes no further back than the Roaring Twenties in Oklahoma, it has the rugged frontier air and the unassuming briskness of a good little western. Skipping any profound character-probing, it concentrates on physical suspense like the breathless business of handling a high explosive.
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