Photoplay (Jul-Dec 1946)

Record Details:

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Stronger Grip Won’t Slip Out Try again next time if your store is out of DeCong Bob Pins today. We’re making more now, but still not enough to meet the demand. latter By Lester after Gottlieb Melody memorandums of the songs you remember from your favorite motion pictures A NIGHT IN CASABLANCA : Somewhere between all the mad Marx mirthquakes there’s a pretty tune called "Who’s Sorry Now?” and Bing Crosby (Decca) and Harry James (Columbia) weave it on the waxworks for you. STRANGE LOVE OF MARTHA IVERS: Again Paramount called upon composer Miklos Rozsa of "The Lost Weekend” and "Spellbound” fame to compose a theme melody for its new dramatic hit. This time it’s the haunting "Strange Love.” Tex Beneke and the splendid Glenn Miller orchestra give it sympathetic treatment. (Victor) HOODLUM SAINT: Connie Boswell ably records this film’s theme, ' Sweetheart,” which is a nostalgic favorite of a few years ago. For good measure Miss B. slips in another movie tune, "If I Had a Wishing Ring” from "Breakfast in Hollywood.” (Decca) ONE MORE TOMORROW: Warner Brothers’ hopeful drama has a fine title song and the serviceable Glen Gray Casa Loma orchestra platter it for Decca. NO LEAVE, NO LOVE: M-G-M’s forthcoming musical has two potential hits in "Love on a Greyhound Bus” and "All the Time.” The current joy of the jukes, Vaughn Monroe, sings and plays them (Victor) with vocal assists from the Norton Sisters. JUDY GARLAND: Teaches the newcomers a few vocal tricks with her rendition of the plaintive "Carousel” hymn, "You’ll Never Walk Alone.” (Decca) BOB HOPE — SHIRLEY ROSS: A tuneful twosome platter two oldies, "Two Sleepy People” and "When We’re Alone” that is great for fireside listening. (Decca) GILD A: Leo Reisman spins the Rita Hayworth beguine, "Amado Mio,” and uses the other side for a dance treatment of the "Spellbound” score. (Decca) TALK ABOUT A LADY: This Columbia film has a tune dedicated to California’s favorite fruit "Avocado” and Decca has the Andrews Sisters singing it affectionately. THE CLASSICAL CORNER: Fritz Kreisler records for Victor an album of his own compositions and arrangements of best-loved melodies, including the familiar "Old Refrain” that is tops in violin virtuosity . . . Beethoven’s Sonata No. 7 in C Minor for Violin and Piano is a Columbia album classic, played by violinist Isaac Stern and pianist Alexander Kakin . . . Helen Traubel, majestic Wagnerian soprano of the Metropolitan Opera, sings the great Bridal Chamber Scene from "Lohengrin” with fine assistance given by tenor Kurt Baum and Artur Rodzinski’s N. Y. Philharmonic Orchestra (Columbia) ... A perfect combination is found in Andre Kostelanetz conducting a potpourri of Tschaikovsky music, played by the Robin Hood Dell Orchestra. Highlight of this Columbia album is the beautiful "None But the Lonely Heart” . . . For sheer piano magic, don’t miss the Franz Liszt Columbia Masterworks album, featuring Gyorgy Sandor, highlighted by a thrilling keyboard rendition of "Hungarian Rhapsody.” Columbia has just issued an album of the complete "Showboat” score sung by the original company, including Carol Bruce, Jan Clayton, and Kenneth Spencer. ... A single twelve-inch record treasure is James Melton’s tenoring of "Soliloquy” from "Carousel” recorded on Victor Red Seal. ^ 1ft 20