Photoplay (Jul-Dec 1947)

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Greg always has insisted that Uncle Charlie was the only one in his family who ever knew where he was going BY DEE LOWRANCE LIKE the late Tammany politician, Big Tim Sullivan, Gregory Peck works on the theory that he doesn’t care what is printed about him, as long as his name is spelled right. He’s adopted this philosophy out of necessity, not out of choice. “Lesson number one I’ve learned in my three and a half years in Hollywood,” he explained, “is to say ‘It doesn’t matter’ to whatever is printed about me. I’ve learned to mean it, too. “Every profession has its hazards. Doctors lose patients, lawyers get adverse court decisions. An actor must plan on seeing the unexpected, even the untrue, about his personal and professional life appear in print.” Because he is honest, and natural, Gregory Peck has had more trouble than a lot of Hollywood poseurs. Around the studios they tell of one of his early interviewers, a lady with fixed ideas of her own. She was looking for a combination of John Barrymore, Sir Henry Irving and Basil Rathbone. She opened the interview with: “Oh, that beautiful voice of yours, Mr. Peck — (Continued on page 118) Four Pecks make a bushel of fun: Greg, sons Stephen and Jonathan, and Greta. Greg is also starred in “Duel in the Sun” 41