Photoplay (Jul-Dec 1947)

atte r r NO DULL DRAB HAIR When You Use This Amazing 4 Purpose Rinse LOVALON, simple and quick to use after a shampoo, does these 4 things to give YOUR hair glamour and beauty: 1. Brings out lustrous highlights. 2. Adds a rich, natural tint to hair. 3. Rinses away shampoo or soap film. 4. Leaves hair soft, easy to manage. LOVALON does not permanently dye or bleach — merely tints the hair as it rinses. Comes in 12 flattering shades. Try Lovalon. At stores which sell toilet goods 25f! and 1 Od sizes v Guaranteed by 'A Good Housekeeping l -wtinsrc fMake your own lotting, glamorous woret ... In your own home! It's grand! It's H gulch! It's fun! ... Just dampen your H hair ... and let Menin WAVE-O-MATICS do the rest for you! iSL. Buy 4 WAVE-O-MATICS today! You'll be Pv^amazed! Tit chain store, drug and department „ . J stores. ft Or send SI. 00 lor package ot 4 ,A) WAVE-O-MATICS SoTSS ~ A direct to Dept. M 1 Guaranteed \J Postage Prepaid. I Good Hoaseket F4f iA$r/\ HAKE (yxtvi IONEY FAST SOMETHING NEW AND SENSATIONAL IN CHRISTMAS CARDS AMAZING “OILETTE’1 before offered. Amazing Valuel views yr-i ders fast! GorgeousChristmasCards with I name. 60 for $1.00 ap. Pays up to 100% L profit. Also Stationery. 20 other assortments. 60c to $1. Samples on Approval. PURO CO. 2801 Locust* Dept.715-J.St.Louls3, Mo. 50_ ro« $W m,l> Hame MERVIN WAVE CLIP CO., Inc.'39 chambers st.. h. y. 7 latter By Lester Gottlieb A rapid record review of this month’s popular and classical disks — spotlighting songs and singers from Hollywood THE RAZOR’S EDGE: Tunes like "Mam’selle” have a way with them and young singer Art Lund has crashed the juke box big time with his fine pressing (M-G-M). Close behind him in popularity are the Dennis Day (Victor) and Pied Pipers (Capitol) versions. PERILS OF PAULINE: Phil Harris selects the hit tune "Poppa, Don’t Preach to Me” from Betty Hutton’s latest and has a Harrised field day with it (Victor). Phil Harris IT HAPPENED IN BROOKLYN: Frank Sinatra clicks with "Time after Time,” "I Believe,” "Brooklyn Bridge” and "It’s the Same Old Dream” (Columbia). The Pied Pipers (Capitol) and Tommy Dorsey (Victor) also handle the latter tune effectively, while Jimmy Dorsey (M-G-M) wraps up "Time after Time” and adds a sure-fire Latin-American winner, "Quien Sabe?” on the reverse. THE EGG AND I: It was inevitable that this intriguing title would wind up with a melody. It took four tunesmiths, including Al Jolson, and now you can hear Dinah Shore (Columbia) and Sammy Kaye (Victor) spin it. JANE RUSSELL: "The Outlaw” girl will probably get more circulation with the record she made with Kay Kyser than she will with the controversial horse opera. The tune she sings is called "As Long As I Live” (Columbia) . NORA PRENTISS: The theme song is aptly titled "Who Cares What People Say” and Dinah Shore (Columbia) sings it. THE UNINVITED: Billy Butterfield (Capitol) and Dennis Day (Victor) have just waxed the film’s haunting theme "Stella by Starlight” and it was worth waiting for. CARNEGIE HALL: Lily Pons sings "The Bell Song” from "Lakme,” Ezio Pinza sings a robust aria from Mozart’s "Don Giovanni” and Rise Stevens has a fine time with "Seguidilla” from "Carmen” in an impressive Columbia album. HUMORESQUE: Now, happily, Columbia has just issued an album of Isaac Stern’s, re-creating the same immortal melodies he bowed in the film, including the title song by Dvorak, Rimsky-Korsakov’s "Flight of the Bumble Bee,” the Carmen Fantasy and Sarasate’s Gypsy Airs. The piano accompaniment is by Oscar Levant. THE CLASSICAL CORNER: For religious records, try Victor’s new album of Bach’s Cantata No. 4, as performed by the RCA Chorale and Orchestra, under Robert Shaw’s baton, and a reading of his own poems by Francis Cardinal Spellman, elegantly transcribed by Victor . . . The musical delicacy of Mozart’s Quartet No. 2 in E Flat Major for piano and strings is played by the Budapest String Quartet and pianist George Szell for Columbia ... A new pressing of Gershwin’s "Rhapsody in Blue” by Paul Whiteman is a Signature feature ... The pretentious orchestrations of Morton Gould get a full dress airing by the Robin Hood Dell orchestra in a Columbia album with Gould conducting. Highlight is Gould’s version of the stirring Red Calvary March . . . Sibelius’s solemn Symphony No. 4 is ably interpreted by the N. Y. Philharmonic, conducted by Artur Rodzinski for Columbia . . . The same company has issued a package of Italian operatic arias by the Met’s soprano Helen Traubel, a singer of impressive and physical proportions . . . Beethoven’s immortal Moonlight Sonata played by Vladimir Horowitz is a Victor musical gift . . . The interesting ballet suite by Handel, "The Great Elopement,” is disked by its favorite delineator, Sir Thomas Beecham, with the London Philharmonic in a new Victor issue. 92