Photoplay (Jul-Dec 1948)

Record Details:

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Besides, age doesn’t necessarily have anything to do with love, any more than height does. “I was also told to soft-pedal the fact that I had been married before. Anybody who has followed my career knows I was married before. Speaking impersonally, statistics prove that one in three marriages in this country ends in divorce. Those same statistics prove that most divorced people get remarried. The American public knows about divorce, knows that some people get disillusioned by one marriage or two, but not by all marriage. I am definitely the marrying kind. I believe in home life. I can think of a lot worse things that can be said about a guy. When I go with a girl I have exactly one object: Matrimony. Other people are different. Okay. That’s their privilege. “INOTHER idea, that if you are a HollyA wood star you have no political opinions, burns me completely. I do have political opinions. I feel that an actor has just as much right to express his political opinion as has a doctor, or a longshoreman, or a banker. That is the constitutional right of American citizens past twenty-one. I, for one, propose to keep right on exercising it and nobody’s going to stop me.” Bogey sounds as coldly forceful in saying these things as he ever did in “Key Largo.” He’ll admit it’s easier to be outspoken when you’re a success. “But I spoke up when I was a long way from having arrived, too. I’ll confess I scared myself to death, practically, when I did so.” The occasion was his first Hollywood dinner party. The date was the spring of 1932. The depression was on then. It wasn’t Bogey’s first trip to Hollywood. He had been out a couple of seasons previously and he had left the motion-picture business so unimpressed with his talents that they didn’t care for him at any price. He could have been had at any price, too, for he was stony broke. Broadway liked him. He liked Broadway. He went from play to play, but the trouble was the public didn’t go to those plays. “Only a character named Gable proving to be a hit in 1932 gave me my second chance,” Bogey tells. “He was a heavy then and I guess Hollywood decided anybody who looked like a heavy was worth a try. So I got called and I came running. “But I hadn’t quite signed a contract, when I got invited to a dinner party that my ex-Broadway pals, now residing in Hollywood, told me I ‘had’ to attend. A bid to this particular house was virtually a comrnand performance. My pals claimed I’d meet all the big producers, directors and writers who could make or break me. “I refused the bid, politely but firmly. “Then, having refused it, I walked the floor all night. I knew I was a fool. In order to eat, I needed a Hollywood contract. But I also liked acting in movies. I believed in their future and the California climate had already got me. 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