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for this picture are many and lavish, and she says if they’re not worn out by the time the film is finished, she’ll buy back most of them for her personal use. Lots of stars do this, and save money that way, too. One of the dresses she brought back has a “new look” inasmuch as the skirt is neither full nor straight, but completely draped. It’s of a vivid navy blue crepe, clinging to the figure all the way, and even the neckline and bodice are draped, giving a slinky effect. Joan Bennett reports finding something “new” in Italy, too, and she’s bringing back lots of it. We mean a whole bunch of sheer woolens in hand-blocked prints as well as plain colors. She will have them made up into separate blouses and skirts to be mixed at will. She also picked up a wonderful old Florentine belt of silver with a diamond dagger for a clasp.
Just before Betty Newling Bloomingdale had her baby, four of her chums got together and staged the most lavish and sensational baby shower Hollywood has ever seen, we’ll betcha. It was a colossal luncheon at the home of Mrs. Tom May, wife of the department store magnate. Two of the hostesses were Joan Fontaine and Joan Crawford. There were about sixty gals present, among them Jane Greer, waiting for Sir Stork herself. Also gasping at the gifts as they were un wrapped in the pavilion (sort of a conservatory), were Esther Williams, Kay ( Continued on page 99)
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Ava Gardner, of “East Side, West Side,” in Amelia Gray’s English jacket of checked gray tweed, brown gabardine skirt, gray turtleneck sweater, yellow gloves
For informal evenings, Pat Neal, of “The Hasty Heart,” wears Athena-designed black lightweight wool suit, splashed with sequins on pockets and collar