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leading lady...
by Sherbrooke.
Slated for stardom with its stitched collar, cuffs, pockets and belt.
Of exciting Celaglo*, an iridescent rayon by Celanese*, Cravenette* treated. Two way helmet hood. Aqua, copper. Sizes 8 to 18, $25.00.
Sherbrooke
rainwear
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Franklin Simon & Co., New York, N. Y. r Davison, Paxon Co., Atlanta, Ga.
Jordan Marsh Co., Boston, Mass.
The John Shillito Co., Cincinnati, Ohio Wm. H. Block Co., Indianapolis, Ind. t. Bamberger & Co., Newark, N. J.
Gimbel Brothers, rmladelphia, Pa.
Kaufmann Oep’t Stores, Inc., Pittsburgh, Pa. Famous & Barr Co., St. Louis & Clayton, Mo. Best's Apparel, Inc., Seattle, Wash. Woodward & Lothrop, Washington, D. C.
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Mail to store nearest you or to (CUP THIS COUPON)
Sherman Bros., 205 West 39th Street, New York 18, N. Y.
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Please send me the Sherbrooke raincoat(s) advertised in September Photoplay at $25. each. Enclosed is check Q or money order Q for $25.
Sherbrooke Size 1st color choice 2nd color choice Quantity Raincoat
Name .... Address. City
Zone State....
Include amount for city and/or state tax if you live in taxable area.
( Continued frovi page 91) his store, one day, and gave him twenty-four hours to move.
Ricardo joined his brother Carlos, who had been dancing professionally with Rita Cansino (Hayworth) in Los Angeles. At the Fairfax High School he took public speaking, “to learn the language better.” His teacher encouraged him in the dramatic field. But his family thought it unbecoming for him to become an actor, a comico.
In New York, where he went for experience, he pounded the pavements, worked in a 16 mm movie and finally played a small part in summer stock in “Her Cardboard Lover,” starring Tallulah Bankhead. It was his mother’s illness that took him back to Mexico, where he cofitinued his career in Mexican movies, won the equivalent of the Mexican Academy Award and was signed by M-G-M.
HE philosophizes about Americans hurrying through life. “They never take enough time out for anything,” he says. “There’s something to the manana business.” He doesn’t practice what he preaches, however. He can wait for nothing. Always, he must act immediately.
An excellent athlete, he excels in horsemanship, handball, tennis and jai alai, one of the world’s fastest games. Under pressure, he will admit he once fought a couple of bulls, “the smaller ones,” for the benefit of the Red Cross.
A small blue notebook is his most faithful friend. Always, he carries this book with him. In it are recorded all appointments, birthdays and his studio calls. When does he go to work? “Wait just a minute,” he says, and whips out the book.
He loves spirited discussions, and his favorite indoor sport is drawing-room debates. “Don’t ask Ricardo his opinion on anything, unless you want it, and can take it,” his friends warn. '
Anniversaries and birthdays find him sentimental. He picks out his own gifts. On Georgia’s last birthday, he surprised her with a solid gold manicuring set. She accepted it gratefully, while she wondered how to break it to him that she would like to exchange it for a fur coat and a nail file.
His favorite lunch is a “Cannibal Sandwich,” consisting of raw hamburger and chopped onions with anchovies and raw egg on top. “You get all the vitamins that way.”
He likes “comfortable clothes,” but admits he is not very clothesminded so that_ “Georgia has to keep after me.” But he is flatteringly observant, Georgia will tell you, of what she wears; quick to comment, “You look very charming, Sweet.”
Devoutly religious, he zealously follows his own rule for attainment. “If you want something badly, give up something else, and you’ll get it.” For him, this usually means giving up cigarettes. Until it’s a standard query among his friends, “Smoking this month, Ricardo?”
In his next picture, “Battleground,” he plays a dramatic role, a sensitive Mexican GI, who’s delighted by the simple things in life. When, on the battlefield, he sees snow for the first time, he delights and revels in it, makes snowballs, plays an imaginary baseball game. And a little later, ironically enough, he lies wounded and freezing to death in that snow.
After viewing this scene director William Wellman, never one extravagant with praise, was so stirred, he commented aloud, “Punch with pathos!”
That’s Ricardo!
The End
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'reo. u . s. pat. off.