Photoplay (Jul-Dec 1951)

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He is a claustrophobe and hates small rooms: “I want tremendous rooms and I’m always opening windows.” He wants someday to own a dairy farm in California’s Imperial Valley, and has always been dominated by a determination “to be best or nothing.” “Whatever it was — I just had to make it.” He likes delicatessens, particularly kosher salami, and he works three and four times a week under voice coach Giacomo Spadoni, the great Caruso’s former coach, who is now seventy-three. He first learned to milk a cow in 1945 at Nyack, New York, while visiting the farm of Robert Weede, Metropolitan Opera star. His father is a disabled veteran of the first World War and one of its most decorated heroes. He plays no musical instruments, did learn the piano as a child but failed to keep it up. He collects china and jade pixies, having about fifty. He is extremely nervous and “on edge” just before a performance, he understands but doesn’t speak French too well and as a boy was very popular with girls. He doesn’t like to drive. His favorite non-operatic melody is “They Didn’t Believe Me.” He is one "There’s one thing about flops. You learn more from them than you learn from successes." . . . TALLULAH BANKHEAD IIIHIIIII1I fourth Spanish on his mother’s side and this coupled with his adopted name makes him a constant subject of argument among Spanish-speaking peoples who claim him for their own. He enjoys bull -fights in Mexico when on a concert tour. He owns one of the largest collections of Caruso records, begun by his grandfather. He is very fond of shirts and underwear in silk. He dreams someday of going to France — “just to see Paris,” and his wife deplores his habit of inviting people without letting her know or unexpectedly announcing that “they are going out that night” without advance notice. 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