Photoplay (Jul-Dec 1951)

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• Janie’s a woman, that’s a sure thing. You can tell that from your seat in the theatre, or if she s walking along the street in Beverly Hills, or just standing knee-deep in our backyard swimming pool. From any angle she’s definitely female. And definitely gorgeous. That’s obvious. And it’s one of the important reasons why I fell in love with her and married her. When I first saw her I said to myself, Geary, I said, she s cute. Then I lOoorj' -ytj'l got a dictionary to look up some words that were more descriptive. When I came to “beautiful” I knew I didn’t have to look any further. I settled for that one. Janie’s womanliness goes far beyond the shadowy two dimensions you see on the screen. Or the more substantial, and infinitely more delightful, three dimensions that dunk themselves in our pool. Janie thinks and reasons and reacts like a woman. She is as understandable and as baffling as a woman. She makes up her mind like a woman. And she ( Continued on page 75) Marriage , he’s discovered , isn’t a fifty ’fifty proposition. With Janie , 50 Omits