Photoplay (Jul-Dec 1953)

SUSAN HAYWARD DORIS DAY exciting new Off-Guard Candids of Your Favorite Movie Stars •^-All the selective skill of our ace cameramen went into the making of these startling, 4x5, quality glossy prints. pictures! JEFF HUNTER New poses and names are constantly added. Keep your collection up to date by ordering from the convenient list below. ROBERT WAGNER Circle the numbers of your choices and mail with coupon today. Send cash or money order. 12 pictures for $1; 6 for 50c. 1. Lana Turner 2. Betty Grable 5. Alan Ladd 7. Gregory Peck 8. Rita Hayworth 9. Esther Williams 11. Elizabeth Taylor 14. Cornel Wilde 15. Frank Sinatra 18. Rory Calhoun 19. Peter Lawford 21. Bob Mitchum 22. Burt Lancaster 23. Bing Crosby 24. Shirley Temple 25. Dale Evans 26. June Haver 27. June Allyson 29. Ronald Reagan 30. Dana Andrews 31. Glenn Ford 33. Gene Autry 34. Roy Rogers 35. Sunset Carson 36. Monte Hale 46. Kathryn Grayson 48. Gene Kelly 50. Diana Lynn 51. Doris Day 52. Montgomery Clift 53. Richard Widmark 54. Mona Freeman 55. Wanda Hendrix 56. Perry Como 57. Bill Holden 60. Bill Williams 63. Barbara Lawrence 65. Jane Powell 66. Gordon MacRae 67. Ann Blyth 68. Jeanne Crain 69. Jane Russell 74. John Wayne 75. Yvonne de Carlo 78. Audie Murphy 79. Dan Dailey 84. Janet Leigh 86. Farley Granger 88. Tony Martin 91. John Derek 92. Guy Madison 93. Ricardo Montalban 94. Mario Lanza 95. Joan Evans 103. Scott Brady 104. Bill Lawrence 105. Vic Damone 106. Shelley Winters 107. Richard Todd 108. Vera-Ellen 109. Dean Martin 110. Jerry Lewis 111. Howard Keel 112. Susan Hayward 115. Betty Hutton 116. Coleen Gray 120. Arlene Dahl 121. Tony Curtis 123. Tim Holt 127. Piper Laurie 128. Debbie Reynolds 129. Penny Edwards 131. Jerome Courtland 134. Gene Nelson 135. Jeff Chandler 136. Rock Hudson 137. Stewart Granger 138. John Barrymore, Jr. 139. Debra Paget 140. Dale Robertson 141. Marilyn Monroe 142. Leslie Caron 143. Pier Angeli 144. Mitzi Gaynor 145. Marlon Brando 146. Aldo Ray 147. Tab Hunter 148. Robert Wagner 149. Rusty Tamblyn 150. Jeff Hunter 151. Marisa Pavon 152. Marge and Gower Champion 153. Fernando Lamas 154. Arthur Franz 155. Johnny Stewart 156. Oskar Werner 157. Keith Andes 158. Michael Moore 159. Gene Barry 160. John Forsyth 161. Lori Nelson 162. Ursula Thiess 163. Elaine Stewart 164. Hildegarde Neff 165. Dawn Addams 166. Zsa Zsa Gabor 167. Barbara Ruick 168. Joan Taylor 169. Helene Stanley 170. Beverly Michaels 171. Joan Rice 172. Robert Horton 173. Dean Miller 174. Rita Gam 175. Charlton Heston 176. Steve Cochran WORLD WIDE, Dept. WG-1253 63 Central Avenue, Ossining, N. Y. I enclose $ for candid pictures of my favorite stars and have circled the numbers of the ones you are to send me by return mail. p Name Street City (Please Print) Zone State a maverick, this Monty Clift, vigilant in his belief of a man’s right to be himself. But a maverick by what his heart sees. Monty and Frank Sinatra became close friends while they were working on “From Here to Eternity,” each having recognized in the other a kindred soul sympathetic to the preservation of man’s individuality. And with the freedom of some years of acquaintance I asked Frank, “Why do you like Montgomery Clift?” “Monty? He’s a sincere artist,” Frank answered, “intelligent, very serious about his work.” “But,” I persisted, “why do you like him?” “Why do you like anybody?” Frank said. “I don’t ask myself why. If you like a man, you like him.” Monty reacts to people instantly, with a warmth that reaches out eagerly. As one who knows him well puts it, “When Monty likes you, you can feel the light turn on.” And Monty says, “You meet some people and you know them immediately. Others you would never know.” One thing sure, subterfuge in any form, with Monty, would get you nowhere. A motion-picture executive worrying how to get him to agree to participate in a project the studio felt was quite important, called Howie Horowitz, assistant to Producer George Stevens, and Monty’s good friend since he made “A Place in the Sun,” saying, “How do we handle Clift on this? How do we go about tricking him into doing it?” Horowitz advised drily, “I’ll tell you how you ‘trick’ him into it. You call him on the phone and you ask him. That’s exactly how you ‘trick’ him into it.” A few minutes later, the exec called Horowitz back saying, dazedly, “What do you know — he says he’ll do it!” Asked whether he would consider himself a rebel, Monty says slowly, “I guess so. Certainly I believe a man in revolt is better than a person who accepts what’s handed him, or what he reads, just because it’s been accepted — until it’s been proved worthy of acceptance.” And in respect to men of conviction, Monty says, “I believe Frank Sinatra is a monument to our time. The things, I feel, people are sometimes asked to put up with in the field of entertainment — or any field — are tremendous. Frank will compromise to realize an objective, but he draws a line beyond which he won’t go.” Will Monty compromise? “Certainly,” he says. “It’s your job to try and adjust to things within a certain scope of understanding, and as long as you keep focus as to what you’re about, it’s fine. But if you compromise until all identity is lost, compromise to the point where you’ve lost focus on what you set out to accomplish as a human being — it’s no good.” Not that he considers himself any criterion on accomplishments. “I’m lacking in many things.” He insists he’s lazy. 88