Photoplay (May 1921)

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Photoplay Magazine 41 Fenpiers. there is good reason to believe — if we know our l.ilitli well — that -he tried to make e>cs at thein. Had the papers l>coii entrusted to a single angel, tliere is no way of telling what nn'ght have resulted from her brazen attemjjts to \amp them. Hilt closing up their ranks for greater safety, the angels registered rising indignation, fixetl !ier with a stare and laid a curse iijjon her for her contumacy. The nature of the curse ramiot be discussed here, but the purport of it was such as would ha\e caused any Vam]), no matter how hold, to grow ghast!\ pale beneath her rouge. Lilith. h<)we\er, decided to l)razen it out. '"All righ.t," she said; "then I'll drown nn-tlf." And in sa\ ing so she emnloyed the weapon which millions of women ha\ e emplo\'ed e\ er since, ami with marked success. That announcement seems to have proved a poser for the ane^els. Lacking as they were in the attributes generally ascribed to mero men, they nevertheless came dangerously near to being vamped. We can well understand, at le.ist, that they were greatly agitated at the |)rospect of so much beauty, so much charm and so much spirit being consigned 10 the fisiies, that they olTered to compromise with her. Hy wa\ of comi>romise the\' einlowed her with full powers over all children up to and in> luding the eighth day ot their ago. l^ut the\ also c.Nacted from lier the promise that she iK^er would exercise that ai'ihoril\' {Cou/iiiurd cii [)agc 9<S) Romance In a Film Factory T.XKIXG this picture b\" and large, if you know wiial wc mean, you will obser\e what takes place when a company is shooting a scene in a film studio. But allow your gaze to focus within the w hite line — and you will see only what will later appear on the screen. In other words, here is Pearl White, in a scene from "Ixnow Your Men," which she is making at the Fox studios in Manhattan. Bending over her chair, whispering honeyed words into her ear. is Wilfred Lytell — yes. Bert's brother — her new leading man. To the right of the picture, with a megaphone under his arm. idully coiucmplating the amorous dalliance, is Charles (jiblyn. the director, who will explode into a \erbal \olcano if Mr. Lytell doesn't get it o\er just right. F.\erything looks calm and peaceful at this minute, but it won't !a>t. It never does — in a studio! Does this take awa\ all the mystery which surrounds the making of [)ictures for you? Or were you always pal[)itating to discover just how the wheels go round? In case you are easily disillusioned, we ad\ ise you to co\ er up all of the picture except that soothing scene within the white line.