Photoplay (Feb-Sep 1917)

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Speaking of Pearls: A LITTLE ESSAY ON THE ONLY JEWEL THAT AUGMENTS ITS OWN VALUE, WHETHER IT'S A TIFFANY PEARL OR PEARL WHITE By John Ten Eyck A PEARL, the precious-stone men will tell you, is the only eternal jewel. Sapphires and rubies and emeralds may bring different prices according to location, or cuts old-fashioned or cabuchon ; diamonds blue and white may go up and down in the market ; but a pearl, in any metropolis not war-struck, is always worth a little more than last year, and next year it will be more valuable than this. The reason is that the supply of pearls is slowly diminishing, and the demand constantly increasing. As in the shops, so it is in the studios. The most interesting proof of our contention that a pearl is a pearl, whether you meet it in Paris, Peoria or Pathe's, is that white pearl of the pictures. Pearl White. Now, as the crammed, jammed years of film history go. Pearl White is more than a forty niner ; she is a thirty-sixer, and perfect at that. If life ages fled like picture ages Pearl White would be leaning on a cane, using an ear-trumpet instead of a lorgnette, and depositing her teeth in a glass of water each night. Plioto hy White Pearl, and her inexpensive little motor car. It only cost her $14,000.00.