Photoplay (Jan-Jun 1920)

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HHI ^H ^■^^H i -^1 I^H ^^^v ^"^ i^^*4H^^^| ^HB #1 1 ^h f^ 1 1 1 1, ^^^^^1 ■I^^MH ^^Hj^p^^^l ^^^^I^H ■ 1 ll Bl Hi ^H^P'%j4^^^H ^^^^^^^^^^HB>1S^^S^^^B 1 ! I 1:^ I The Pope's Pictures By REV. WILL W. WHALEN The Catholic Church is now a successful producer of photoplays, intended as wholesome entertainment rather than propaganda. IT is estimated that more tiian one million Catholics attend the movies daily. Some of them attend their own pictures, produced for them, and exhibited by them. There is in New York City the Catholic Art Association, which is three years old and looks as if it has come to staj'. In three years it has turned out three pictures, with a still-unnamed eight-reeler in embryo. It makes its appeal to its own people, but it is not a busy puritan trying to legislate all pleasure out of the other fellow's existence. O. E. Goebel is the scenario writer, the director, and the distributor of the films. None of the ordinary release channels are used. The association has its own corps of agents, its otlices in all the principal cities. It doesn't advertise in the m.oving picture journals. The pulpits hand out all the boosts these pictures need. The first picture made by the association was "The Victim," dealing with the confessional. This was a nine-reel feature. Then came "The Transgressor." Later the association sent out "The Light Eternal," a pictured life of Christ. A scene from the Catholic Art Association's photoplay, "The Victim." O. E. Goebel, president of the Catholic Art Association, and author, director and distributor of its films. Belo'w, a scene from "The Transgressor."