Photoplay (Jan-Jun 1920)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

W O R That's All! Is beauty essential to success ? The Prettiest Sliow-Girl answers, emphatically " No ! " By OLIVE THOMAS SOME people think it is an advantage to be beautiful. It isn't. It is a harder thing for a pretty girl to succeed than it is for a homely one. Men are never willing, no matter what they may say, to acknowledge that a pretty girl may have some asset besides ner good looks. Men are all alike. So are women — only some have better profiles than others. I come from the Follies. Now, the Follies is a much-misunderstood institution. I say institution not because Mr. Ziegfeld's press-agent used the word first, but because any theatrical entertainment which has been running for a dozen years, playing in the largest cities of the country, costing many thousands of dollars every season to put on, and employing only the best EDITOR'S NOTE: Florenz Ziegfeld. manager of the institution of beauty which bears his name, would perhaps be justified if he voiced a protest against the films — for they have stolen some of his most beautiful girls. Among them, Olive Thomas, proclaimed by Harrison Fisher and other artists as the perfect type of brunette beauty; the toast of Manhattan when she was a member of the Follies. Now that she is a film star, she has had time to look back and gain a keen retrospect of show-girl life. She tells you, here, why she left the Follies; and gives you an insight into the mental processes of these beautiful choristers.