Photoplay (Jan-Jun 1920)

i8 Photoplay Magazine — Advertising Section For Your Photopl^ Plots Scores of men and women today are making big money in their spare time by helping supply the enormous demand for photoplays. Scores of producing companies are ready to pay for good ideas. They must have them. No doubt right at this minute you have a good idea or plot in your head that would make a good "movie." Perhaps you are under the impression that it needs special talent to write scenarios. Dismiss that wrong idea because it is costing you money— possibly preventing you making big money and a name for yourself. The Secret of Selling Scenarios Just as the lawyer prepares his "briefs" in legal language so it is necessary for you to follow the "technique" or style and language of the photoplay studio in submitting your plots. Correct technique enables the Editor to "get" your plot at a glance. You can quickly master the art of writing scenarios with the help of "PHOTOPLAY WRITING" — an up-to-date and simplified course of instruction. This course will enable you to sell your photoplay ideas. It covers all the fundamentals of scenario requirements. Send for descriptive booklet. It's free. AMERICAN SCHOOL of Correspondence, Dept. P5, Chicago American School of Correspondence Dept. P5, Chicago Without obligation you may send me your free booklet describing course of instruction in Photoplay Writing. NAME. ATtDRESS. nrossGSii • K the Hair Keeps it Dressed! Stubborn, wiry, mussy unruly hair becomes silky and beautiful. Gives it that lovely gloss characteristic of the hair of stage and screen stars of both sexes. Fine for the scalp— a tonic as well as a beautifier Favorite of both MEN anri WOMEN. Guaranteed harmless and (/rm.sc/rss. TRIAL BOTTI^E, postpaid. 50t". Larsrer size (three times quantity) $1 Satisfaction or price refunded. Order TODAY. Goddess Laboratories, Depi. 11, Chicago APPLV SAtlN>SKlN CRIEaM. i T KEN «Ati N iSKl fi )l»(CrWD tRi 1 She Hates Broad way! Marguerite Courtot Refuses to Believe that Bright Lights Spell Success By AGNES SMITH I T ISN'T strange when you consider that I have always lived there. And the view is lovely. You can look up and down the Hudson river. And then, you know, it is right opposite Broadway and Forty-second street. I can see all the lights from my window. That's near enough for me — I don't care for Broadway." Marguerite Courtot was trying to explain why she lives in Weehawken, N. J., that strange place that sounds like the cry of a wild bird in distress. I politely accepted the lady's apology. After all, when one is free and independent, one is entitled to live where one chooses. Only it seemed strange to talk to a motion picture actress who did not complain because God had made Fort Lee, N. J., a film town. Aside from the fact that she lives in Weehawken^ Marguerite makes other claims to your interest. Raised in the studio, — she began with the old Kalem Company, — she is nevertheless a studio exotic. Not to cast slurs on other luminaries, she is the sort of girl your mother vi^ould like to have you go around with, even though she is an Every advertisement in PHOTOPLAY MAGAZINE is guaranteed. actress. Never once in the course of three cups of tea and two rounds of French pastry did Marguerite use slang, professional lingo or "please don't print this" gossip. Hers is a demure prettiness and, to be oldfashioned, her manners are lady-like. She carries herself with the air of a young person who has just been told that she is not exactly a strain on the eyes. "I was fifteen years old when I began to 'act,' if you could call it that," said Marguerite. "Mother knew a man over at the studio. He was always asking her to let me appear in a picture. It didn't make any difference to me one way or the other. Mother was unwilling, — she didn't want to take me out of school. Imagine such a thing happening now! At the mere chance of a film offer, a mother would snatch her child from the cradle. "Those Kalem days were very pleasant. Like all the old companies, it was just a family. You didn't hear much about salaries and none of us had contracts. After the series called 'The Adventures of Marguerite' I got another offer. I gave the