Photoplay (Jan-Jun 1920)

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Director Gish when Lillian bossed Dorothy around the "lot." JUST before D. W. Griffith went to Cuba to film scenes for a new picture, he handed a script to Lillian Gish. "Here's Dorothy's new picture," he said. "You can go ahead and direct it." Lillian— that fair, frail persecuted child of pictures — bad never directed before. The Griffith studios at Mamaroneck were in a state of incompletion ; the props were new, and the lights were bad — sometimes work was possible only for fifteen minutes a day. But Lillian finished her first picture — a five reel Dorothy Gish comedy— action from start to finish— in twenty-five days. She really directed; bossed the studio hands and the electricians; designed and arranged the sets; consulted with the cameramen and put the players through their paces. Her intensely feminine viewpoint stood her in good stead ; like Lois Weber she sees many intimate things in the direction that a man would overlook. "I felt," she said, "just as if I were playing with dolls again. It was fun to make the puppets move the way / wanted them to." OS