Photoplay (Jul-Dec 1922)

9o Photoplay Magazine — Advertising Section When Listerine meets halitosis I ''HE distressing thing -*■ about halitosis (scientific term meaning unpleasant breath) is this: You're usually not aware yourself of whether you are guilty — whether or not your breath is just right. Let Listerine put you on the safe side. It will do so quickly and pleasantly unless, of course, halitosis is chronic with you, due to some deep-seated disorder which a doctor or dentist will need to correct. This is what happens when Listerine meets halitosis: Halitosis most commonly is due to the acid fermentation of starchy and sugary foods in the mouth; to putrefaction of food particles retained about the teeth, or to excessive use of tobacco. Listerine, by virtue of its peculiar antiseptic properties, halts both putrefaction and fermentation and removes disagreeable mouth odors. It leaves the mouth and breath sweet, fresh and clean, putting your mind at ease as to whether or not you may be offending those about you. How much better it is, then, to have Listerine at hand in your bathroom, to use it systematically and to be sure you are on the safe and polite side! — Lambert Pharmacol Co., Saint Louis, U. S. A. LISTERINE — the safe antiseptic A brunette and a blonde baby. Misses Bebe Daniels and Julia Faye act like this in the first part of the film version of "Nice People." Then they reform. Bet everybody is going to like the first part better than the last Plays and Players (Continued from page 6g) npHF.DA BARA, vamp, is permanently dead. ■*■ Theda says so herself. Theda may come back to pictures, but it will be as the virtuous, persecuted heroine, not as a purple lady with a Past. What Theda's managers and Theda's public think about this has had no effect upon Miss Bara — pardon, Mrs. Brabin. She is, as the saying goes, adamant. She will never vamp again. Weep and wail all you like. And if you remember "Kathleen Mavourneen," the Pox photoplay in which Theda played a sweet, simple colleen, you will undoubtedly weep and wail. Mr. Brabin will direct Mrs. Brabin in her first new picture. This is almost more than we can stand. Imagine — the lady who made sinister eyebrows and wicked looks and homewrecking what they are today — an ingenue, directed by her own husband, in plays which even the children will love. •"PHE good old north west has been having -*• everything its own way. There have been, this summer, more frozen dramas all about Royal Northwest Mounted Every advertisement in THOTOPLAY MAGAZINE is guaranteed. Policemen and heroines wrapped in furs than ever before. In one week on Broadway there were three. Just to mention a few: "Over the Border," "I Am the Law," "Out of the Silent North," "The Valley of Silent Men," and "A Virgin's Sacrifice," Corinne Griffith's latest which was staged in the great white ways. It was a cool, clean summer. T ILLIAN GISH is to have her own company. -'-' This time, she is going to be associated with the United Artists, which is composed of Chaplin, Pickford, Fairbanks, Ray and Griffith — or an offshoot called Allied Artists, practically the same organization. The heroine of David Griffith's best photoplays is generally regarded as the screen's greatest tragic actress, and stardom is, in this case, hard-earned and well deserved. It will come as the climax of a career of terrifically hard work, conscientious study, and quiet perseverance. Everyone who knows Lillian Gish knows of her untiring devotion to her art — and with her it is art — for there is never a role too difficult for her to play, never a scene too strenuous for her to undertake. She is better fitted to manage her own