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• Glenda's forehead may frankly remain unadorned by bangs, advisable with a more backward hat movement. Below, Josephine Hutchinson illustrates the importance of a simple coiffure for chapeaux that exploit decidedly sharp, unexpected angles. Perc Westmore
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• To still the fluttering heart for its first peep at itself an off-face or modified Breton sailor inspiration, Perc Wes more suggests Glenda Farrell's smooth and flat cur
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IT'S an adorably mad little hat that beckons to you fro some shop window. You look, and in looking you are los In a glow of anticipation you enter the shop, draggingalon your best friend, seat yourself, while the angel of glad tiding the saleslady, hovers solicitously about, the confection in h: hand. Deftly, she fits it to your head. You look. Yourbubb bursts. You turn to your best friend for some confirmation tha she doesn't see what you can see in the mirror. But that look < doubt tells you that she sees exactly what you see, but hop< fully she adds, "Maybe it's your hair."
With a modified off-face hat, flat curls at sides look ei ceedingly well. When a hat cuts across the forehead in : diagonal line, you do not need bangs. If you wear a far-bat bonnet type, a high cluster of forehead curls will make you vei; appealing. Or you may, if your forehead is well proportioned your hairline good and your face not too long, dispense wit bangs but keep the forehead hair smooth. For the flat type <| hat that shows back hair, softness or curls are necessary. Aj expanse of smooth, flat hair is nothing to look at. For tl angle hat, you need a slightly looser, softer effect, and n bangs, please, with a forward jut. A softly curled, we!1 groomed border of hair fairly close to the head is about as sati; factory answer as any to this hat problem. With the large pi1 ture type of hat, you may always go more girly-girly and curl
PHOTOPLAY'S HOLLYWOOD BEAUTY SHO
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