Photoplay (Jan-Jun 1938)

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H^HHBHU^HH^MHHMKC // HXGEORGIE // BY EDWARD CHURCHILL Wi J From his maternal ancestry George inherited his liquid brown eyes and swarthy skin; from his father's — an all-consuming ambition that carried him to stardom. But beneath an unemotional surface lies a nature few know as well as Virginia Pine 'HEN I went East this last time," George Raft told me, "I was anxious to see Mom. I'd been a good boy. I'd worked hard. I wanted to tell her about my picture. And I had a big surprise for her." The surprise George referred to was the picture he had just made, "Souls at Sea." It had been previewed. Frances Dee, who appears in it, had told me: "It's George's picture." George had liked working with Henry Hathaway, the director, with Gary Cooper, costarred. It appeared that George, after six years as a Hollywood "bad boy," was getting into harness with the idea of staying there. The studio was talking of "the new and different Raft." As a man, much less trouble. As an actor, a Raft with the oil out of his hair, playing a seaman of the 1840's who gave his life for a girl. George caught the Louis-Braddock fight at