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°* MOT.OH ***
ERNEST V. HEYN HEYWORTH CAMPBELL RUTH WATERBURY FRED R. SAMMIS
EXECUTIVE EDITOR ART EDITOR EDITOR ASSOCIATE EDITOR
On ihe Cover — Deanna Durbin, Natural Color Photograph by Paul Hesse /X /^^^^^^/^/J, — ^is^flj
HIGHLIGHTS OF THIS ISSUE '
„ „ ,/ w,, . . u . . . _. ,n I WISH the Academy could afford an extra series of
Hollywood s Extra Racket Morton Thompson 19 I ^ ... r ' . L • i x n
Whispers of beatings-blackmail-bribery-that finally woke echoes' I Os"? th.is year for the runners-up in severa of the
tt o . u 11 j .. „„,. .. ■ classifications. If the famous statuette which Bette
Home Sweet Hollywood Elsa Maxwell 20 p. . , .xl , . . , ... .,, \
Society doctor diagnoses film colony epidemic-with startling results Dav,s so, f dro.tly christened W.th that name some years
Which Romance Rumors Are Fakes? Ruth Waterbury 22 ago could be cut in half, this year s awards would have
How to tell lovelight from flashlights, in easy-to-take lessons Deen more satisfying.
MemoonMelvyn Claude Binyon 24 No one will doubt that Vivien Leigh deserved ample
—which reveals why the Mad Hatter had nothing on our Mr. Douglas.' recognition tor tooling the skeptics in her portrayal ot
u„ .. _ tt u ujiu. „, Scarlett O'Hara. But from the standpoint of technical
Hawaiian Honeymoon Hagar Wilde 26 .... , . ~ . , t
Two' s company , three's a mob scene in a gay novel of movie people skl" and sheer acting genius, bette Davis pertormance
Round-Up of Familiar Faces Sara Hamilton 28 j_n Dark VictorV '" m,Y °Pini°n ^ ney*r beer, equaled by
Footnotes on eight personalities on their way to the headlines h*r. °.r anX °+her HoHywood actress. Her Judith Traherne
....,., -.*..* still lives in my mind — and I daresay in yours — not as a
^"TL^rJ^.^^S.i^ke^H.cH^y.n^^nJ^r, " ^™«" ■"£ * «-"-"• ™» simple dkU b the
„.„..„. . . . greatest possible compliment to an actress.
My Son, My Son! Howard Spring 31 * T • j xl n • d l x r» x' l. »h« x
The original best-selling novel, condensed for busy readers To my mind there were flaws in Robert Donat s brilliant
D , ■ , -v _. , „ .. portrayal of the schoolmaster in Goodbye, Mr. Chips
Broadway, the Dog Charles Hopkins 52 / x l -i jx j. l j
How Hollywood has turned the tables on Manhattan (some °] his, more senile moments seemed to me to border
D, . , r , . „ on the burlesque), but I don t begrudge Mr. Donat the
Photoplay Fashions Gwenn Walters 57 j x l x x x d x • i l ij
Casualness and color go hand in hand to smarten your new ensembles fWard for best-actor performance But again I should
r,,. r\ . i t ii u ,.,.,. .. , „. have awarded that mythica half-an-Oscar to James
Time Out for a Lullaby Wilbur Morse, Jr. 74 c, , , ,. r x i x i a • • u
Motherhood means more than stardom to Geraldine Fitzgerald f tewart for his fine portrayal of a real American in Mr.
Smith Goes to Washington.
The Camera Speaks: — In this column I have previously raised an enthusiastic
Double Headers 46 voice for Olivia de Havilland's portrayal of Melanie in this
Proving— four times over— that two heads are better than one year's outstanding-picture winner. Hattie McDaniel defi
The Life and Loves of Lillian Russell 48 ni+e|y deserved the award for best supporting actress, but
Checking up on a few tantalizing scenes that the movies forgot.' I wish there were some way that she could have divided
The Lyrical "Road to Singapore" 50 i+ with Miss de Havilland.
The words of the Crosby -Lamour -Hope songs— and the story, too Nor are the almost-Academy winners the only deserv
Love 1,000,000 B. C 54 !ng runners-up.
Showing that caveman courtship wasn't really all it's cracked up to be One of the most startling examples is John Beal, who
DCUICUJC appeared in an experimental film called The Great Com
NEWS, VIEWS AND REVIEWS mandment. The picture was made on a "shoestring,"
Boos and Bouquets 4 and so impressed Twentieth Century-Fox that it was
Brief Reviews of Current Pictures . 6 bought by Mr Zanuck as a vehicle for Tyrone Power So
, Tr . , „ despite what I understand is a superb performance, Mr.
Shopping for You and the Stars Frances Hughes 8 Beal is not included in the remake. Many a great film has
How Well Do You Know Your Hollywood? ........ ll been made successful by runners-up.
PHOTOPLAY'S Own Beauty Shop Carolyn Van Wyck 12 Not every horse can win the race, but there are many
Close Ups and Long Shots Ruth Waterbury 15 fine horses "in the money."
We Cover the Studios Jack Wade 56 A no+e of explanation on "Exposing Hollywood's Red
Team Mates (PHOTOPLAY-McCall Patterns) 65 Menace" by Morton Thompson, which appeared in March
Announcing PHOTOPLAY'S Gold Medal Winner! 68 Photoplay appears on page 4, to which your attention
Cal York's Gossip of Hollywood 69 is directed.
The Shadow Stage 72 /""* fL
Complete Casts of Pictures Reviewed in This Issue 102 / « <b6^^^(\
VOL LIV., No. 5, MAY, 1940
Published Monthly by Macfadden Publications, Inc., 333 N. Michigan Ave., Chicago, 111. • Bernarr Macfadden President • Irene T. Kennedy, Treasurer • Wesley F. Pape, Secretary • General Offices, 205 East 42nd St., New York, N. Y. • Editorial and Advertising Offices. Chamn Building, 122 East 42nd St., New York, N. Y., Curtis Harrison, Advertising Manager • Charles H. Shattuck, Manager, Chicago Office • London Agent, Atlas Publishing and Distributing Company, Ltd.. 18 Bride Lane, London, E. C. 4 • Price per copy in the United States and Canada: 25c. Yearly Subscription: $2.50 in the United States and Possessions, Canada and Newfoundland. $3.00 in Cuba, Mexico, Haiti, Dominican Republic, Spain and Possessions, and Central and South American countries excepting British Honduras, British, Dutch and French Guiana. All other countries $5.00. Remittances should be made by check, or postal, or express money order • CAUTION — Do not subscribe through persons unknown to you • While manuscripts, photographs and drawings are submitted at the owner's risk, every effort will be made by this organization to return those found unavailable if accompanied by sufficient 1st class postage, and explicit name and address. But we will not be responsible for any losses of such matter. Entered as second-class matter April 24, 1912, at the post-office at Chicago, 111., under the act of March3, 1879.
Copyright. 1940, by Macfadden Publications, Inc. Registro Nacional de la Propiedad Intelectual.
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