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ter or telegram will be "screened"; there will be a "cut in" of another scene shown for a few seconds only, to accentu- ate a comparison or show what is taking place somewhere else at the same moment. You have also noticed that on motion picture films sub- titles, or "leaders/* are flashed on the screen to explain the coming scenes. When you write your scenario, it is not necessary for you to put in these sub-titles. The* scenario editor or the director supplies them as a rule; but if you think you have a set of "leaders" that are to the point, write each directly under the number of the scene it eluci- dates. Experienced writers usually furnish their own "leaders" and indicate in parentheses the number of words used, so that the director can see at a glance how many feet of film will be required. For example: Scene I The Little Drudge. (3 words) An old-fashioned kitchen with large fireplace Cinderella, in rags, polishing, etc. Scene VIII The Belle of the Ball. (5 words) Same as Scene IV Guests dancing. Cinderella enters, etc. Once in a while, it is permissible to use a sentence of dialogue to emphasize the action. This usually comes at the end of a scene and is often used as the sub-title. For instance, you have a domestic episode—the husband, leav- ing the house, embraces his wife affectionately. He takes out his watch, points to the figure two on the dial. "Meet me at two o'clock." Or, a son has disgraced his family. The father denounces his conduct and, in a rage, points to the door. "Go! and never return!" In the foregoing "Cinderella" scenario, in Scene XI, I used the sentence: "The prince will wed the maid who can wear the slipper." That bit of dialogue explains the 14