Pictorial beauty on the screen (1923)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

96 BEAUTY ON THE SCREEN A practical proof is dramatic utility. The motions of a photoplay are in the service of the story. They should perform that work well, without waste of time and energy. An aesthetic proof is their power to stimulate our fancy and to sway our feeling. Pictorial motions should play for us, until by the illusion of art we can play with them. Another proof is reposefulness. For at the very moment when we are stimulated by art we desire to rest in satisfied contemplation. How pictorial motions may produce beauty on the screen by being at work, at play, and at rest will be told in the following chapters,