Pictorial beauty on the screen (1923)

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PICTORIAL MOTIONS AT PLAY 127 he isĀ» bearing false witness. If he believes that the beauty of a photoplay lies wholly in the emotional appeal of the performer and in the dramatic action of the plot, he is stone blind to art. So far as the motions in a picture present the actions and reactions of the dramatic characters clearly and emphatically, they do faithful work; but this work becomes play when it is relieved of its hardness and dullness, and is animated with a spontaneity and variety that catches up the spectator into a swinging movement of attention. And those motions which are both work and play are basic in the beauty of cinematic art