A pictorial history of the movies (1943)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

SAFETY LAST (192 3) 133 In 1923 Charles Chaplin undertook the unprecedented step of writing, directing, and producing a picture in which he himself did not appear. This was A Woman of Paris, a film whose satire and realism were far removed from what the public had been led to expect of the typical Chaplin comedy. Adolphe Menjou played an urbane, cynical man of the world with a subtlety and consummate smoothness that carried no suggestion of the stock movie villain, while Edna Purviance created a polished demimondaine who bore no resemblance to the usual screen vamp. It was a courageous venture for its time, one that deserved success— and got it. One of the most ambitious undertakings of Carl Laemmle's Universal Pictures, a film version of Hugo's The Hunchback of Notre Dame, was lavishly produced in 1923. As Quasimodo, the hunchback, Lon Chaney further enhanced his reputation as a great character actor. BELOW Harold Lloyd had followed A Sailor-Made Man with another comic hit, Grandma's Boy, in 1922. Now he turned out another success, this time in seven reels, Safety Last. The picture, as you can well understand from this shot, contained hilarious and frightening situations that only Chaplin has ever equaled.