A pictorial history of the silent screen (1953)

Record Details:

Title:
A pictorial history of the silent screen
Date:
1953
Publisher:
New York : G. P. Putman's Sons
Volume:
A pictorial history of the silent screen
Leaf #:
000122
Language:
English
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
June 20, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

WITH BESSIE LOVE IN "REGGIE MIXES IN" (Also Above) DOUGLAS FAIRBANKS FEATURES WITH JEWEL CARMEN IN "MANHATTAN MADNESS" Above: IN "THE AMERICANO" DOUGLAS FAIRBANKS 10 1 C Triangle's greatest attractions were w I U Douglas Fairbanks and William S. Hart, now on their way to world-wide fame. Charles Ray, Dorothy Dalton, Bessie Barriscale, William Desmond and Enid Markey were becoming important screen personalities under the Triangle banner. H. B. Warner, Dustin Farnum and Robert Warwick, matinee idols of the theatre, were now established screen stars. At Universal, actress Lois Weber became the first important woman producer of the industry. Shakespeare's plays, filmed as one-reelers earlier, were being made on elaborate scales. Besides the two versions of "Romeo and Juliet," Pathe released a Thanhouser production of "King Lear," and Triangle released the Fine Arts production of "Macbeth." 1 CHARLES RAY, RITA STANWOOD, WEDGEWOOD NOWEL IN "THE DESERTER" WILLIAM DESMOND, ALICE TERRY, BESSIE BARRISCALE IN "NOT MY SISTER" 118 MARIE DORO IN "THE WOOD NYMPH" trianoif pponiirTiriKi<; DE WOLF HOPPER IN "CASEY AT THE BAT' DOROTHY DALTON, H. B. WARNER IN "THE VAGABOND PRINCE"