We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
■:■"-•. \
I RUBY LAFAYETTE, LON CHANEY ive: BETTY COMPSON, JOSEPH DOWLING, THOMAS MEIGHAN
LINA CAVALIERI, LUCIEN MURATORE IN "THE HOUSE OF GRANADA"
LON CHANEY, FRANKIE LEE, JOSEPH DOWLING, BETTY COMPSON, THOMAS MEIGHAN,
J. M. DUMONT, LUCILLE HUTTON, W. LAWSON BUTT
Above: LON CHANEY, J. M. DUMONT, BETTY COMPSON
SCENES FROM "THE MIRACLE MAN"
The most influential man in films was still Adolph Zukor. To his enterprises he added U U a new concern, Realart Pictures Corp. He also combined with William Randolph Hearst, newspaper tycoon, who had organized Cosmopolitan Productions to produce Marion Davies pictures. Realart signed Mary Miles Minter and Alice Brady and elevated Constance Binney and later Bebe Daniels to stardom. The Triangle Film Co. and Mutual Film Corp. ceased to exist, and so did the old Thanhouser Company which had been releasing through Pathe. The Selznick name was saved from obscurity when Lewis J. Selznick's son Myron formed a company, Selznick Pictures. He signed Olive Thomas, Eugene O'Brien, Elaine Hammerstein and Owen Moore, but he was under age and his mother had to sign all the contracts he made.
LON CHANEY, JOSEPH DOWLING
Above: J. M. DUMONT, BETTY COMPSON,
JOSEPH DOWLING, LON CHANEY
DOUGLAS McLEAN, MARY PICKFORD IN "CAPTAIN KIDD JUNIOR"
JORMAN KERRY, DOROTHY GREEN, MARION DAVIES IN "THE DARK STAR"
BILLIE BURKE, JAMES CRANE, FRANK MILLS IN "THE MISLEADING WIDOW"
PARAMOUNT-ARTCRAFT PRODUCTIONS
WALTER HIERS, BRYANT WASHBURN, LOIS WILSON IN "IT PAYS TO ADVERTISE"
169