A pictorial history of the silent screen (1953)

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&>^ *v £4> ~7T . V .J 0 <s~v J ' *% GEORGE ARLISS IN "DISRAELI" (UNITED ARTISTS NORMA TALMADGE IN "THE PASSION FLOWER' (FIRST NATIONAL) DOUGLAS FAIRBANKS IN "THE THREE MUSKETEERS" (UNITED ARTISTS) MARY PICKFORD IN 'LITTLE LORD FAUNTLEROY" (UNITED ARTISTS) ^V «w * *fe a The top fifteen women were Norma Talmadge, Constance Talmadge, Mary Piekford, Anita Stewart, Dorothy Gish, Clara Kimball Young, Gloria Swanson, Mary Miles Minter, Katherine MacDonald, Pearl White, Marguerite Clark, Ethel Clayton, Elsie Ferguson, Elaine Hammerstein and Enid Bennett. Fox produced three pictures, "Over The Hill," "A Connecticut Yankee in King Arthur's Court" and "The Queen of Sheba," which found public favor. George Arliss, a distinguished actor, began his successful film career with "The Devil" and followed it with "Disraeli," both adapted from his stage successes. Pearl White, who had made a series of mediocre features for Fox, retired and went to Europe to BT McKIM, DOUGLAS FAIRBANKS, MARGUERITE DE LA »ve. rtJTE IN "THE MARK OF ZORRO" (UNITED ARTISTS) HARRISON FORD, NORMA TALMADGE, COURTENAY FOO IN "THE PASSION FLOWER" (FIRST NATIONAL) •** ry <r$K !m s* H LES MEREDITH, KATHERINE MacDONALD IN "THE BEAUTIFUL LIAR" (FIRST NATIONAL) EDMUND LOWE, GEORGE ARLISS, SYLVIA BREAMER IN "THE DEVIL" (PATHE) KENNETH HARLAN, CONSTANCE TALMADGE IN "LESSONS IN LOVE" (FIRST NATIONAL) 205