A pictorial history of the silent screen (1953)

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a ,/r ■ xSU TTS h'ERSAL) EARLE FOXE (GOLDWYN MARY PHILBIN (UNIVERSAL) BEN ALEXANDER (FIRST NATIONAL MAUDE GEORGE (UNIVERSAL) NOAH BEERY (GOLDWYN) EDNA MAY OLIVER (PARAMOUNT) NEIL HAMILTON (GRIFFITH) BERYL MERCER (GOLDWYN) MABEL BALLIN, GEORGE WALSH GEORGE WALSH, HARRISON FORD, EARLE FOXE, MRS. CRAUFURD KENT, MABEL BALLIN, ADELE ROWLAND, ELEANOR BOARDMAN SCENES FROM "VANITY FAIR" (GOLDWYN) Q 23 LON CHANEY, RAYMOND McKEE IN "A BLIND BARGAIN" (GOLDWYN) "The Covered Wagon" was the first of the large-scale epic films. A great sucL U I cess, it was directed by James Cruze, former actor with the old Thanhauser company. Cecil B. De Mille's large-scale contribution was "The Ten Commandments." Erich Von Stroheim left "Merry-Go-Round" in the middle of production at Universal and Rupert Julian finished the film. Metro and Goldwyn consolidated as MetroGoldwyn and Von Stroheim signed with them and made "Greed," considered by many his best. Charles Ray put his own money into an elaborate historical picture, "The Courtship of Miles Standish," which was a failure and forced him into bankruptcy. BARBARA LA MARR, ELEANOR BOARDMAN, ERNST LUBITSCH, RICHARD DIX, FRANK MAYO, MAE BUSCH IN "SOULS FOR SALE" (GOLDWYN) £s i 'IARRISON FORD IN ,'TLE OLD NEW YORK' (GOLDWYN) JEAN ARTHUR IN "CAMEO KIRBY" (FOX) JOHN GILBERT IN "CAMEO KIRBY' (FOX) BLANCHE SWEET IN IN THE PALACE OF THE KING" (GOLDWYN) EDMUND LOWE IN NTHE PALACE OF THE KING" (GOLDWYN) 231