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ELEANOR BOARDMAN, WILLIAM HAINES LOWELL SHERMAN, DOROTHY MACKAILL, WILLIAM FRANCI JSHMAN IOAU rPA ,fnon
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I 0 9 7 "The King of Kings" rates as one of the I 0 L I greatest films of all times. In the years since its release, it is estimated that over half a billion people have seen the picture, largely without charge to audiences in recent years. During Lent there are 600 prints available. The picture's subtitles have been translated into 23 languages. In remote regions, Paulist Fathers have shown it to audiences who have seen no other films. Missionaries have taken prints in canoes up the Ganges and the Congo. Cecil B. DeMille considers it his greatest effort. Will Rogers said at the time, "There will never be a greater picture because there is no greater subject."
JOAN CRAWFORD, JOHN Glln IN "TWELVE MILES OUT" (M-G-M)
CHARLES "BUDDY" ROGERS (PARAMOUNT)
DOLORES COSTELLO (WARNER BROS.)
NORMAN KERRY, JOAN CRAWFORD, LON CHANEY Above: NORMAN KERRY, JOAN CRAWFORD SCENES FROM "THE UNKNOWN" (M-G-M)
FRANCIS X. BUSHMAN, CORINNE GRIFFITH WARD CRANE IN "THE LADY IN ERMINE" (FIRST NATIONAL)
WILLIAM BOYD, MARY ASTOR, LOUIS WOLHEIM
Above: WILLIAM BOYD, LOUIS WOLHEIM
IN "TWO ARABIAN KNIGHTS" (UNITED ARTISTS)
HARRISON FORD IN "NO CONTROL'
314 (PDC>
FAY WRAY IN "THE LEGION OF THE CONDEMNED" (PARA.)
ROD LA ROCQUE IN
"THE FIGHTING EAGLE"
(PATHf!)
GILDA GRAY IN
"THE DEVIL DANCER'
(PATHE)
WILLIAM BOYD
IN "DRESS PARADE"
(PATHE)
MYRTLE STEDMAN BEN LYON IN
IN "ALIAS THE DEACON" "FOR THE LOVE OF MIK (UNIVERSAL) (FIRST NATIONAL) j
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